“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

South Korean tightrope walker Nam Chang-dong performs “Jultage” or Tightrope walking during the traditional festival “Dano” at Namsan Hanok village in Seoul, South Korea, 14 June 2021. The festival falls on the fifth day of the fifth month of the lunar calendar. Only 30 audience members were allowed to attend the performance amid the coronavirus COVID-19 pandemic. (Photo by Jeon Heon-Kyun/EPA/EFE)

Japanese chorus girls appear to be drilling in military tactics atop their theater building as they perform salutes, June 30, 1937. The officer is from the Japanese regular army and says the girls display more rhythm in their drills than do the regular troops. (Photo by AP Photo)

Girls ride on a donkey cart with grass for animals on the outside of Nangarhar province, Afghanistan May 19, 2015. (Photo by Reuters/Parwiz)

Young girls carry containers filled with drinking water beside the railway station in Agartala, India, April 20, 2016. (Photo by Jayanta Dey/Reuters)

A girl reacts during a rehearsal for the Independence Day military parade in central Kiev, Ukraine, August 19, 2016. (Photo by Valentyn Ogirenko/Reuters)

An Afghan girl harvests Cotton buds at a field on the outskirts of Balkh province, Afghanistan, November 15, 2014. (Photo by Sayed Mustafa/EPA)