A member of Team USA (L) recovers USA's Anita Alvarez (C), from the bottom of the pool during an incendent in the women's solo free artistic swimming finals, during the Budapest 2022 World Aquatics Championships at the Alfred Hajos Swimming Complex in Budapest on June 22, 2022. (Photo by Peter Kohalmi/AFP Photo)

Students protest in red underwear on the Plein in The Hague, The Netherlands, 02 June 2021. The action is part of the #NietMijnSchuld campaign by Dutch union FNV Young & United and the National Student Union LSVb, which are campaigning for a debt-free basic grant. (Photo by Bart Maat/EPA/EFE)

Laelys Alavez, Anastasia Bayandina, Ambre Esnault, Laura Gonzalez, Romane Lunel, Eve Planeix, Charlotte Tremble and Laura Tremble of France perform in the artistic swimming team free routine at on August 6, 2024 at Olympic Aquacenter in Saint-Denis, France. (Photo by Gonzalo Fuentes/Reuters)

Children play at the Ryoji Ikeda exhibition “the transfinite” at the Park Avenue Armory on June 10, 2011 in New York City. The audio visual installation, which will close after tomorrow, features two back-two-back screens displaying a continual loop of sounds, fragments of numbers and strobe-lit patterns that echo the Japanese artist's interest in mathematics, the subconscious and the digital world. (Photo by Spencer Platt/Getty Images)

After school and civil service, Thomas Mangold went off to study Visual Communications in Dortmund where he still lives. During these studies, he had the opportunity for an internship at the advertising agency Grey Dusseldorf and also began to receive invites to publish his photographic series in magazines. Around this time, a new professor at the college arranged a one week intensive seminar in Strata 3D.

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

Guests brew coffee during a wedding ceremony for a Free Syrian Army fighter in the town of Douma, eastern Ghouta in Damascus, Syria January 19, 2016. (Photo by Bassam Khabieh/Reuters)