A child blowing confetti from her hands during a Carnival parade in Cyprus' coastal city of Limassol, Sunday, March 13, 2016. Limassol's long-established parade is Cyprus' biggest and most famous, drawing revelers from across the east Mediterranean island. This year's parade drew huge crowds as people sought lighthearted reprieve from the bailed-out country's recession. The parade marks the start of the 40-day fasting period of Lent in the run-up to the Orthodox Christian Easter. (Photo by Petros Karadjias/AP Photo)

This restroom on the rubbly flanks of Jonsknuten in Norway looks up at the peak of the 904m mountain. Yu have to leave the door open to enjoy the view but the chances of being disturbed are minimal. (Photo by Olaf Menz/Lonely Planet)

A Lowrider rides on three-wheels on Sunset Blvd., in the Echo Park neighborhood of Los Angeles late Sunday afternoon July 18, 2021. (Photo by Damian Dovarganes/AP Photo)

The name Danbo is a pun on the Japanese word for corrugated cardboard “danboru” (ダンボー). There’s also a company in Japan which makes cardboard boxes which has Danbooru in its name.

The song is presented in this publication in two different executions. The first (performed by monastic chorus) – classical, but bad. The second – national, good. Enjoy.

SEE ALSO: “Three Remarkable Cossack Songs + Bonus”

The “Dancing With Costica” series began when Australia-based photographer Jane Long decided to brush up on her retouching skills. After finding the Costica Acsinte Archive on Flickr, she became fascinated with the images and their subjects, wanting to bring them to life and give them a story. Here: the Costica photo on the left inspired Jane Long to create her version, titled “Innocence”. (Photo by Costica Acsinte Archive/Jane Long)

Three Burmese women members of a circus play cards as they wear the brass neck and leg rings traditionally worn by Padaung women since childhood and which cannot be removed, London, January 4, 1935. (Photo by Keystone). P.S. All pictures are presented in high resolution.

British designer Alex Chinneck created the installation - called From the Knees of my Nose to the Belly of my Toes - by removing the facade of a detached four-storey house that had been derelict for eleven years and replacing it with a brand new frontage that leaves the crumbling top storey exposed, then curves outwards so the bottom section lies flat in front of the house.