“Sociomobile” by Jasleen Kaur goes on view as part of the 2024 Turner Prize exhibition at TATE Britain on September 24, 2024 in London, England. This year marks the 40th anniversary of the Turner Prize, and it returns to Tate Britain for the first time since 2018. The prestigious award is presented annually to a British artist who has delivered an exceptional exhibition or presentation of their work. The four artists shortlisted for the 2024 Turner Prize are Pio Abad, Claudette Johnson, Jasleen Kaur, and Delaine Le Bas. (Photo by Tristan Fewings/Getty Images)

French artist Thomas Lamadieu, also know as Roots Art, must really love looking at the sky. Every time he looks up, Thomas sees a potential canvas where the building rooftops frame the sky. He photographs it and uses the odd sky shapes to create whimsical line drawings. “My artistic aim is to show a different perception of urban architecture and the everyday environment around us, what we can construct with a boundless imagination,” says Thomas. (Photo by Thomas Lamadieu)

“Filthy Luker is a painter who is really attacking his audience. Who could think that a green octopus suddenly starts to creep out from the windows, a huge banana rind lounges just in the center of a road and the trees start to see!” (Photo by Filthy Luker/Vedi tutte le foto via Giornalettismo.com)

This is the work of Keisuke Yamada, a banana artist Kotaku first profiled in 2011. To make these sculptures, Yamada, an electrician by trade, must work fast, or the banana will start to go bad.

New Jersey based artist, Joe Iurato creates art using hand-cut paper and spray paint to make small wood cutout figures and placed in public spaces. According to Iurato, “a puddle can become a lake, a small crack in a cement wall can become a magnificent climb, a planter box can become a place for a child to play, and a shadow might be a tangible space for a few seconds a day”. Photo: “Small World”. (Photo by Joe Lurato)

Tanbo Art is the strategic planting of four varieties of rice which have different colored leaves in order to create a giant image in the rice paddy. This type of aesthetic planting began in the Japanese village of Inakadate in 1993 in order to celebrate the village’s over 2000 year history of rice farming. The practice has spread to other rice cultivating communities in Japan and even other countries such as Thailand and South Korea.