Family and friends sit in a vehicle trailer, where they will spend the night, near the enclosure for buffalos awaiting sacrifice on the eve of the sacrificial ceremony for the “Gadhimai Mela” festival in Bariyapur November 27, 2014. The festival renowned for its large number of animal sacrifices, is held every five years at the Gadhimai Temple where devotees from Nepal and bordering India will sacrifice buffaloes, goats and birds while offering prayers to Gadhimai, the goddess of power. (Photo by Navesh Chitrakar/Reuters)

A Hindu devotee wearing a t-shirt printed with a portrait of Lord Shiva takes a holy dip while participating in the “Bol Bom” pilgrimage in Kathmandu August 10, 2015. The faithful, chanting the name of Lord Shiva, run about 15 km (9 miles) barefooted toward Pashupatinath temple seeking good health, wealth and happiness. (Photo by Navesh Chitrakar/Reuters)

These timeless postcards offer an eye-opening glimpse into life in Japan in the early 20th century. Taken from hand-colored photographs, the postcards showcase the still beauty of the country, depicting a nation on the cusp of modernization. The images feature solemn fishermen, bustling streets, temples and shrines: a country yet to be influenced by Western culture. The tinting effect brings out the rich colors of the natural surroundings, with trees, flowers and cherry blossoms jumping from the original black-and-white images. Here: Toyokuni Shrine Nakanoshima, Osaka, Japan. (Photo by New York Public Library/Caters News)

A spinning top is seen on a hand during a performance at Sanxia old street in New Taipei City, Taiwan May 8, 2016. Taiwan's ancient folk art of spinning tops is kept alive by a group of enthusiasts who perform intricate tricks with the toys at a temple in Taipei, the capital. (Photo by Tyrone Siu/Reuters)

A decorated elephant march at the Navam Perahera, a Buddhist pageant of elephants, dancers and drummers, in Colombo February 3, 2015. Over 50 elephants participated in the street parade for Gangaramaya temple's annual Perahera festival, along with a nightly procession of traditional dancers, fire twirlers and traditional musicians. (Photo by Dinuka Liyanawatte/Reuters)

Chinese folk artists perform the lion dance at a temple fair to celebrate the Lunar New Year of Dragon on January 22, 2012 in Beijing, China. Falling on January 23 this year, the Chinese Lunar New Year, also known as the Spring Festival, which is based on the Lunisolar Chinese calendar, is celebrated from the first day of the first month of the lunar year and ends with Lantern Festival on the Fifteenth day. (Photo by Feng Li/Getty Images)

Hindu devotees light “Diyas” (earthen lamps) on a Rangoli, a framework of decorated pattern, as part of Diwali festivities in a temple premises in Dhaka, Bangladesh on November 12, 2023. The festival takes place every year in accordance with the Hindu lunar calendar. The word “Diwali” is derived from the Sanskrit word “Deepavali”, meaning series of lighted lamps; hence, it is also known as the festival of lights. Diwali is typically celebrated by socializing and exchanging gifts with family and friends. Many light oil lamps or candles to symbolize a victory of light over darkness, and fireworks are set off as part of the celebrations. (Photo by Joy Saha/Rex Features/Shutterstock)

There is something frightening and at the same time appealing in the living sculptures of 27-year-old British artist Emma Fay. Body art in conjunction with the flexibility of acrobats and fantasy of the artist using water-based paints, a brush and sponge, is transformed into a beautiful work of art. It is not immediately possible to make out the human body in the picture. First you look at the landscape and suddenly begin to distinguish someone’s arm, or neck. Or you look into the eyes of an amazing bull, and it turns out that it is perfectly folded back. Lovely people, temples are and wonderful people-insects are.