A view of the construction site of the Chateau de Guedelon near Treigny in the Burgundy region of France, September 13, 2016. Blacksmiths, stonemasons and quarry men are hard at work in a Burgundy forest building a 13th-century-style castle using the most basic tools and materials, replicating the methods used hundreds of years ago to better understand them. (Photo by Jacky Naegelen/Reuters)

Magira, the cat, stands in a new pet cleaning machine known as the PetSpa June 21, 2002 in Miami, Florida. The side-loading washing machine features 37 spray nozzles and is capable of washing, rinsing and blow drying a dog or cat in 30 minutes. (Photo by Joe Raedle/Getty Images)

A Palestinian man walks on the beach, as storm winds blow, near a camp for internally displaced on the beach near the Nuseirat refugee in the central Gaza Strip on December 20, 2024, amid the continuing war between Israel and Hamas. (Photo by Eyad Baba/AFP Photo)

A butcher blows into the skin of a cow's leg in order to peel it off, on the first market day since the earthquake in Camp Perrin, Haiti, Friday, August 20, 2021, six days after a 7.2 magnitude quake. (Photo by Fernando Llano/AP Photo)

Lightning streaks across the sky as lava flows from a volcano in Eyjafjallajokul April 17, 2010. (Photo by Lucas Jackson/Reuters)

Plumes of smoke rise from the snow covered volcano Villarrica, in Pucon, Chile on December 7, 2023. (Photo by Cristobal Saavedra Escobar/Reuters)

The bloodwood tree (Pterocarpus angolensis) is a deciduous tree with a high canopy, reaching about 15m in height and has dark bark. The red sap is used traditionally as a dye and in some areas mixed with animal fat to make a cosmetic for faces and bodies. It is also believed to have magical properties for the curing of problems concerning blood, apparently because of its close resemblance to blood. The name bloodwood for these trees stems from the dark red to brown sap that accumulates on wounds on the trunks.

Zed Nelson has photographed the same family, once a year on the same day, for 20 years. I take hundreds of photo’s of my extended family all year round, some just languish on my computer screen unseen by anyone, some get printed, some framed. What is really interesting about this project is not only the obvious time scale but his “ analytical approach“. The same plain background is used for each session and he chooses only 1 frame to represent that years image. My many photographs are a mishmash of family events, his create a family history unfolding . Perhaps less really is more.