Pro-democracy protesters dressed in traditional Thai costumes take part in an anti-government rally in Bangkok on October 14, 2020. (Photo by Jack Taylor/AFP Photo)

A member of the Brotherhood of the Diablos Danzantes de Chuao (Dancing Devils of Chuao) arranges his mask during the Corpus Christi festival in the town of Chuao, Aragua state, Venezuela on June 18, 2025. (Photo by Maxwell Briceno/Reuters)

14th Place. Leaf roller weevil (Byctiscus betulae) lateral view. Image Stacking, Reflected Light 3.7X (objective lens magnification). (Photo by Özgür Kerem Bulur/Nikon Small World Photomicrography 2020)

A mahout rides an elephant among the traffic down a street in Piliyandala, a suburb of Sri Lanka's capital Colombo on September 27, 2020. (Photo by Lakruwan Wanniarachchi/AFP Photo)

Elizabeth Mills jumps in front of the Conservative Political Action Conference (CPAC) sign at National Harbor, Md., February 23, 2018. (Photo by Joshua Roberts/Reuters)

South Korean singer CL performs during the closing ceremony of the 2018 Winter Olympics in Pyeongchang, South Korea, Sunday, February 25, 2018, after 17 days of hard- fought competition. Olympic fire went out. (Photo by Natacha Pisarenko/AP Photo)

A Palestinian horseman rides on the beach at sunset a few hours prior to the new year's celebrations, west of in Gaza city on December 31, 2018. (Photo by Mahmud Hams/AFP Photo)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.