Britain's Catherine, Duchess of Cambridge plays a stroke of golf during a visit to meet young people supported by the Cheesy Waffles Project, a charity for children, young people and adults with additional needs across County Durham, at the Belmont Community Centre, in Durham, north east England on April 27, 2021. (Photo by Andy Commins/Pool via AFP Photo)

A child watches as an adult poses for a photograph while holding a Thompson AR-15 rifle, which is inscribed with the likeness of former US President Donald Trump at the Tommy Gun Warehouse during the annual Rod of Iron Freedom Festival in Greeley, Pennsylvania, 07 October 2023. The festival is one of the the largest open carry festivals celebrating the 2nd Amendment in North America. (Photo by Will Oliver/EPA)

Zappa, a toothless 15-year-old Italian greyhound that looks surprisingly like Sid the Sloth from the animated movie Ice Age, is redefining dog beauty. Owners Sadie and Rosalie Millen, of Pewaukee, Wisconsin, say that Zappa started sticking her tongue out a few years ago when she lost her teeth.

The 37-year-old French artist Anne-Catherine Becker Echivard’s latest artworks were inspired by the silent movies of Charlie Chaplin and Buster Keaton; she uses real-life smelly fish heads as her models for some photos that depict everyday life to address topics.

Employees wear "No-Face" masks during working hours at a service company in Handan, Hebei Province of China. As a service company, staff must smile to customers every day. On “No-Face Day”, staff wore masks to hide their facial expressions and allow them to relax. No-Face is a character in the 2001 animated movie “Spirited Away”, a silent masked creature who has no facial expressions.

An operator adjusts a film projector during a wedding party in Bogor, Indonesia, February 18, 2017. Indonesian entrepreneur Kamaluddin loves the gritty look of old 35-millimeter film so much that he spends most of his nights screening vintage movies at weddings and parties around Jakarta, the capital. (Photo by Reuters/Beawiharta)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.