In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

In this photo taken on Saturday, April 29, 2017, a candle is lit in a roadside shrine as the sun sets across a nearby lake of Pineia in the village of Souli, in the Peloponnese region of southern Greece. Made of iron sheeting, stone, wood, concrete or marble, tens of thousands of such shrines punctuate Greece’s roadside scenery, a common sight in a country that has one of the European Union’s worst road fatality rates. (Photo by Petros Giannakouris/AP Photo)

Migrants scramble aboard a train at the station in Beli Manastir, Croatia September 18, 2015. Migrant numbers in Europe will build up in coming days and their flows may fragment further into new routes, the U.N. refugee agency said on Friday, urging the European Union to grasp a last chance to resolve the refugee crisis next week. (Photo by Laszlo Balogh/Reuters)

An exhausted and frustated migrant holds his head after he missed to get a place on a train heading to the Serbian border at the train station in Gevgelija, The Former Yugoslav Republic of Macedonia, August 13, 2015. From the beginning of the year to mid-June 2015, nearly 160,000 migrants landed in the southern European countries, mainly Greece and Italy, on their way to wealthier countries in Western and Northern Europe, according to estimates by the International Organization for Migration (IOM). (Photo by Georgi Licovski/EPA)

Reuters multi-award winning photographers are celebrated here in a three part retrospective on the 30th anniversary of the service's launch. They have captured dramatic images illustrating the human tragedy of natural disaster and war as well as the fallout of economic events across the continents, creating iconic images, recognised around the world. Here: an injured soccer fan is carried to safety by a friend after a wall collapsed during violence between fans before the European Cup final between Juventus and Liverpool at the Heysel stadium in Brussels, May 29, 1985. 39 people died, and a further 600 were injured. (Photo by Nick Didlick/Reuters)

European Space Agency astronaut Tim Peake will return home after a six-month long mission on the International Space Station,on June 18, 2016. Peake was the first British ESA astronaut to visit the ISS and captured hundreds of photographs of the Earth during his mission. Here: “Lots of sun-glint right now during our whole orbit – we haven't seen a sunset for over 3 days”, he wrote. (Photo by Tim Peake/ESA/NASA)

Aeronautics and Space engineer at France's Compagnie Maritime d'Expertises, or Comex, Arnaud Prost (C) meets with a jogger as he tests on the ground the “Gandolfi 2” underwater training suit for spacewalk, on January 20, 2016 in the calanques region (rocky inlets) of Marseille. The underwater training suit “Gandolfi 2”, developed with the European Space Agency (ESA), is designed for training astronauts underwater to simulate space gravity for the astronaut's extravehicular activities (EVAs). (Photo by Boris Horvat/AFP Photo)

Health workers watch as the vaccine against the Coronavirus arrives at a nursing home in l'Hospitalet de Llobregat in Barcelona, Spain, on Sunday, December 27, 2020. The first shipments of coronavirus vaccines developed by BioNTech and Pfizer have arrived across the European Union, authorities started to vaccinate the most vulnerable people in a coordinated effort on Sunday. (Photo by Emilio Morenatti/AP Photo)