A member of the Pakistani Anti-Narcotic Force (ANF) takes a selfie beside a pile of burning drugs and liquor during a ceremony at the Kacha Ghari army firing range, on the outskirts of Peshawar on October 16, 2018, after the contraband was seized in raids across the province. (Photo by Abdul Majeed/AFP Photo)

As cheap Chinese-made motorbikes flood Pakistan’s roads, fans of vintage Vespa scooters are scrambling to find spare parts and preserve models that hark back to a bygone era. Here: A restored Vespa scooter painted in Pakistani truck art style, is parked alongside traditionally-coloured scooters at a Vespa restoration and repair workshop in Islamabad, Pakistan February 27, 2018. (Photo by Caren Firouz/Reuters)

Pakistani passengers ride on crowded train returning from their hometown and villages after celebrating the Eid al-Fitr holiday to mark the end of the Muslim holy fasting month of Ramadan, to Lahore, Pakistan, Monday, July 11, 2016. (Photo by K.M.Chaudary/AP Photo)

Pakistani youths cool off in a stream during hot weather on the outskirts of Islamabad on April 29, 2016. Pakistan's Meteorological Department has forecast hot and dry weather in most parts of the country with the highest temperatures recorded at 41 celsius in the southern Sindh province. (Photo by Aamir Qureshi/AFP Photo)

Pakistani vendors carry animals in a bus for the upcoming Muslim festival Eid al-Adha in Lahore, Pakistan, Monday, August 5, 2019. Eid al-Adha, or Feast of Sacrifice, is the most important Islamic holiday and marks the willingness of the Prophet Ibrahim (Abraham to Christians and Jews) to sacrifice his son. (Photo by K.M. Chaudhry/AP Photo)

A cosplay enthusiast waits at the premiere of the movie “Warcraft” in Hollywood, California U.S., June 6, 2016. (Photo by Mario Anzuoni/Reuters)

Rihanna poses as she attends the photocall for the movie “Battleship” at the Corinthia Hotel on March 28, 2012 in London, England. (Photo by Dave M. Benett/Getty Images)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.