Visitors view Patricia Piccinini's “The Embrace” artwork during the “You Know Who” exhibition at the Abdulmecit Efendi mansion in Istanbul, Turkey, 27 September 2022. The exhibition, which by the organizers is described as questioning “the representation of the unknown in contemporary art, based on the symbolic world of the supernatural and unknown in the Byzantine period”, is shown from 20 September until 11 December 2022. (Photo by Erdem Sahin/EPA/EFE/Rex Features/Shutterstock)

An activist with a painted face symbolizing the count of days spent in captivity attends the Free Azov rally in support of the captured defenders of Mariupol on April 21, 2024 in Kyiv, Ukraine. The participants came out to remind about the Ukrainian soldiers who have been held in Russian captivity for more than two years. (Photo by Yan Dobronosov/Global Images Ukraine via Getty Images)

The Boeoegg, a giant symbolic snowman made of wadding and and filled with firecrackers burns on top of a bonfire in Sechselaeuten square on April 24, 2017 in Zurich. When the bells of the Saint Peter's church chime six o'clock, the bonfire under the snowman is set in fire and the guildsmen wearing historical costumes ride around the bonfire. The faster the head of the snowman explods the warmer and more beautiful the summer will be. (Photo by Michael Buholzer/AFP Photo)

In this photograph taken on September 22, 2016, a Pakistani devotee decorates symbolic paper boats, an offering to Muslim saint Abdulqadir Jilani as a way of giving thanks after their desire to give birth to a son was fulfilled, before dropping it into the water during an annual ceremony on the banks of the River Ravi in Lahore. The ceremony commemorates a centuries-old tale that Muslim saint Abdulqadir Jilani raised a sunken ship carrying a wedding party, at the pleading of the groom's mother, saving all the occupants. (Photo by Arif Ali/AFP Photo)

Paul Bond's art lives in the spaces between dreaming and reality. Drawing from the Latin American genre of Magic Realism where symbolic, surreal and fantastic elements blend with realistic atmospheres, they remove the veil on a world where everything is possible.

Marialuisa Tadeis sculpture is very large compared to a life size octopus. The sculptures are made of steel and concrete. They are then turned into a mosaic using hand cut glass. The texture is bumpy because of the mosaic but is smooth on the glass. The main idea behind the sculpture is to explore spiritual and symbolic representation.

Astronaut Edward H. White II, pilot for the Gemini-Titan 4 (GT-4) spaceflight, floats in the zero-gravity of space during the third revolution of the GT-4 spacecraft on June 3, 1965. White wears a specially designed spacesuit. His face is shaded by a gold-plated visor to protect him from unfiltered rays of the sun. In his right hand he carries a Hand-Held Self-Maneuvering Unit (HHSMU) that gives him control over his movements in space. White also wears an emergency oxygen chest pack; and he carries a camera mounted on the HHSMU for taking pictures of the sky, Earth and the GT-4 spacecraft. He is secured to the spacecraft by a 25-feet umbilical line and a 23-feet tether line. Both lines are wrapped together in gold tape to form one cord. Astronaut James A. McDivitt, command pilot, remained inside the spacecraft during the extravehicular activity (EVA). Astronaut White died in the Apollo/Saturn 204 fire at Cape Kennedy on January 27, 1967. (Photo by NASA)