Sarah Campbell by Nick Knight and other cover shots – The Face Magazine: Culture Shift at the National Portrait Gallery in London on February 19, 2025. A new exhibition that celebrates iconic fashion images and portraits from The Face, a trail-blazing youth culture and style magazine. Bringing together 200 photographs by over 80 photographers from the 80s, 90s, 00s, the exhibition is an opportunity to see many of these images away from the magazine page for the first time. (Photo by Guy Bell/Alamy Live News)

Faruk, 17, a Rohingya refugee trader holds betel leaves which are on sale at a stall in Palong Khali refugee camp near Cox's Bazar, Bangladesh, November 3, 2017. He left his village in Myanmar when the military opened fire towards the Rohingya. “I buy this betel leaf from Palong Khali market, in one bundle there are 160 pieces, I buy it for 80 taka and I sell it for 100 taka (1 Bangladeshi Taka = 0.012 US Dollar). Bangladeshi's and I sell for the same rate in the camp. Outside in the local market it is 80 taka per bundle. My problem is that I don't have money so I can't buy anything to eat, I can't buy fish to eat”, he said. (Photo by Hannah McKay/Reuters)

First place, Portrait. Three flat-coated retrievers – Crew, Darcie and Pagan – by Carol Durrant from the UK. (Photo by Carol Durrant/Dog Photographer of the Year 2018)

Puppies, pugs and the perfect antidote to political pandemonium, it’s the Kennel Club’s dog photographer of the year competition. Here: Jamie Morgan’s two Afghan hounds won first place in the portrait category. (Photo by Jamie Morgan/PA Wire)

1st prize in the People Observed Portraits Stories category. Carla Kogelman, the Netherlands. The photo shows Hannah and Alena, two sisters living in the rural village of Merkenbrechts, Austria. (Photo by Carla Kogelman/World Press Photo)

“Venus & Furs” by Swiss Photographer Yann Gross, 2011. Hyères Fashion & Photography Festival, France. Photo: “Tatiana and Belene, from the series Venus & Furs”. Taylor Wessing photographic portrait prize 2011. (Photo by Yann Gross)

A year after hundreds of thousands of migrants and refugees snaked their way across southeastern Europe and onto television screens worldwide, the roads through the Balkans are now clear, depriving an arguably worsening tragedy of its poignant visibility. Reuters photographer, Antonio Bronic revisiting the people-packed locations where he and his colleagues captured last year's diaspora, found empty roads, unencumbered railway tracks and bucolic countryside. (Photo by Antonio Bronic/Reuters)

Anti-racist Loldiers of Odin clowns speak with police as they take to the streets against anti-immigration marchers in Tampere, Finland January 23, 2016. Police prevented the groups from confronting each other. On the northern fringes of Europe, Finland has little history of welcoming large numbers of refugees, unlike neighbouring Sweden. But as with other European countries, it is now struggling with a huge increase in asylum seekers and the authorities are wary of any anti-immigrant vigilantism. (Photo by Kalle Parkkinen/Reuters/Lehtikuva)