The photos, created by Tito Mouraz in Portugal, look too surreal, and it takes a while to realize that these are actually not painting but reality. The way people can completely transform the terrain is very reminiscent of the way people tend to change themselves. Chip away the granite of their soul, turning it into something that fits their idea of perfection. However, in the end, most of them end up with an obscene parody of beauty, rather than something truly marvelous. The reason for it is probably that people are actually oblivious to the true image of beauty, making them stumble around in the dark, hoping to find something that might not exist at all. (Photo by Tito Mouraz)

Aerial shots always amaze us by their magnificence. Human-sized footprints look like ant trails, trees resemble little pieces of broccoli, and landscapes are transformed into breathtaking images, which look like something that can be seen under a microscope. This set of pictures features surreal aerial shots of Botswana taken by Zack Seckler. In the past, to make these kinds of shots, someone had to go up in a helicopter to take a picture. However, today, such images can be easily made using quadcopters, such as DJI Phantom or any other. Thanks to the new technology, we are able to view our world in new ways, allowing us to better appreciate its complexity and beauty. (Photo by Zack Seckler)

A man cries as he carries his daughter while walking from an Islamic State-controlled part of Mosul towards Iraqi special forces soldiers during a battle in Mosul, Iraq March 4, 2017. Reuters Photographer Goran Tomasevic: “Both screaming in terror, a father and the young daughter he cradled in his arm fled through the rubble-strewn streets of Wadi Hajar, transformed in a flash into a battleground between Islamic State fighters and Iraqi special forces. They and their neighbours – some wearing rubber sandals, some barefoot – were running from an IS counter-attack in this part of Mosul, dodging gunfire as the militants closed in”. (Photo by Goran Tomasevic/Reuters)

A patient solves a rubik's cube at a temporary hospital converted from “Wuhan Livingroom” in central China's Hubei Province on February 10, 2020. In face of the outbreak of the novel coronavirus pneumonia epidemic, Wuhan authorities have transformed public venues such as exhibition centers and gymnasiums into temporary hospitals. The hospitals have a large capacity of treating patients with mild symptoms and play an important role in isolating the source of infection and cutting off the routes of infection during epidemic prevention. The first batch of patients was hospitalized on Feb. 5. (Photo by Chine Nouvelle/SIPA Press/Rex Features/Shutterstock)

We're getting some feedback: “Hi, I have a question. Why is it that 90% of your posts are about women? You don't seem to acknowledge the existence of men unless they were migrants. You're seriously telling me that you can't find a few great accomplishments that MEN are making?? If this is a feminist website I think you should make that public. I've been viewing your posts since 2010 I think, since you first created avaxnews. Now I'm seriously considering blocking you guys”.



And we can reply: We like women more and for that humbly beg for your forgiveness. In general you are right. We promise to rectify the situation somehow.

In this handout image provided by Disney Parks titled, “A Tale As Old As Time”, Disney Parks invites guests to “Let the Memories Begin”, spectacular new images have been created by acclaimed photographer Annie Leibovitz. Penelope Cruz and Jeff Bridges appear as Belle and the transformed prince, recalling the final scene from “Beauty and the Beast”. The celebratory moment's tagline reads, “Where a moment of beauty lasts forever”. The campaign premieres as a special insert in the April issues of O, The Oprah Magazine, People, People En Espanol, Real Simple, Essence, and InStyle. (Photo by Annie Leibovitz/Disney Parks via Getty Images)

“Douglas Fisher has worked in the photographic industry for more than 25 years, starting out at 19 as an assistant before establishing his own studio, just two years later. Here, Douglas would go on to be among the first to champion the emerging worlds of digital photography and CGI, identifying early the transformative impact they would bring to advertising and high end photography”. – Tim Mitchell

Photo: «Carlsberg Launch». (Photo by Douglas Fisher)