Revellers kiss under a rainbow flag during the Gay Pride parade along Paulista Avenue in Sao Paulo, Brazil on June 3, 2018. (Photo by Nacho Doce/Reuters)

Hannan Iskandar gets ready before she starts to drive her car in her neighborhood, in Al Khobar, Saudi Arabia on June 24, 2018. Saudi Arabia ended its longstanding ban on women driving on June 24, 2018 – and the second the clock struck midnight, women across the country started their engines. (Photo by Hamad I Mohammed/Reuters)

A pitch invader during the 2018 FIFA World Cup Final between France and Croatia at Luzhniki Stadium on July 15, 2018 in Moscow, Russia. p*ssy Riot claimed responsibility for the pitch invasion, tweeting: “Just a few minutes ago four p*ssy Riot members performed in the FIFA World Cup final match – «Policeman enters the Game»”. (Photo by Darren Staples/Reuters)

Model Lara Lieto arrives for the Vanity Fair Oscar Party hosted by Graydon Carter at the Wallis Annenberg Center for the Performing Arts on February 26, 2017 in Beverly Hills, California. (Photo by Danny Moloshok/Reuters)

A reveller takes part in the Gay Pride Parade in San Salvador, on June 24, 2017. (Photo by Marvin Recinos/AFP Photo)

Men slide in the mud during the Boryeong Mud Festival at Daecheon Beach in Boryeong, South Korea, Saturday, July 22, 2017. The 20th annual mud festival features mud wrestling and mud sliding. (Photo by Ahn Young-joon/AP Photo)

Tango instructor Fernando Waisberg (R) and Isabella Waisberg (L) pose for a photograph during a Tango lecture session in Taipei, Taiwan, 14 April 2019 (issued 18 April 2019). Taiwan has developed its own Tango, with a strong Japanese influence; the accompanying music features lyrics in Taiwanese and Mandarin, the pace slower and simpler than the original. Taiwanese Tango is now a popular phenomenon among people over 40, and is also a subject little studied inside and outside of the island. (Photo by Ritchie B. Tongo/EPA/EFE)

Visitors view Patricia Piccinini's “The Embrace” artwork during the “You Know Who” exhibition at the Abdulmecit Efendi mansion in Istanbul, Turkey, 27 September 2022. The exhibition, which by the organizers is described as questioning “the representation of the unknown in contemporary art, based on the symbolic world of the supernatural and unknown in the Byzantine period”, is shown from 20 September until 11 December 2022. (Photo by Erdem Sahin/EPA/EFE/Rex Features/Shutterstock)