Two carnival revellers masquerade as Leonardo da Vinci's painting “Mona Lisa” pose in St. Mark's Square in Venice, Italy, Sunday, January 31, 2016. Carnival-goers in Venice are being asked by police to momentarily lift their masks as part of new anti-terrorism measures for the annual festivities. (Photo by Domenico Stinellis/AP Photo)

Secondary school students perform a barefoot “pilgrimage of suffering” to support the Occupy Central civil disobedience movement at the Admiralty protest site in Hong Kong November 30, 2014. It has been two months since police first fired tear gas to disperse demonstrators from the main protest site in the Admiralty district next to government offices in the heart of the Asian financial centre. (Photo by Bobby Yip/Reuters)

A musician plays his violin next to a depiction of La Santa Muerte (Saint Death) at a shrine during Day of the Dead celebrations in Ciudad Juarez, Mexico, November 2, 2015. (Photo by Jose Luis Gonzalez/Reuters)

In this November 2, 2018 photo, a voodoo believer who is supposed to be possessed with Gede spirit performs rituals near Baron Samedi's tomb during the annual Voodoo festival Fete Gede at Cite Soleil Cemetery in Port-au-Prince, Haiti. As a proof that they got into trance and their bodies got possessed by Gedes, they drink and wash their faces, their eyes and even their genitals with a mixture of raw rum and hot chili peppers that, according to believers, could burn the skin of any human alive. (Photo by Dieu Nalio Chery/AP Photo)

This picture taken on April 5, 2022 shows a train travelling along a bridge past cherry blossoms in Tokyo's Shinagawa district. (Photo by Philip Fong/AFP Photo)

Revellers enjoy themselves during Hogmanay celebrations in Edinburgh, Scotland on December 31, 2017. (Photo by Russell Cheyne/Reuters)

The Christmas tree is lit at Rockefeller Center in the Manhattan borough of New York City, New York, U.S., November 30, 2022. (Photo by Jeenah Moon/Reuters)

A museum employee views “Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482)” by Andy Warhol at the Victoria and Albert museum in London, Britain, March 2, 2016. The piece forms part of “Botticelli Reimagined”, an exhibition exploring the ways artists have responded to the artistic legacy of the fifteenth century artist Sandro Botticelli, and including over fifty artworks by Botticelli himself. (Photo by Toby Melville/Reuters)