Zheng Qinwen of China returns a shot to Karolina Muchova of the Czech Republic in a women's singles semi-final match, of the China Open tennis tournament, at the National Tennis Center in Beijing, Saturday, October 5, 2024. (Photo by Achmad Ibrahim/AP Photo)

Participants are running in the “2024 Chosun Ilbo Chuncheon Marathon” held in Chuncheon, Gangwon-do on October 27, 2024. One participant is smiling brightly while raising his thumb. (Photo by Jang Yeon-seong)

A hunter holds her tamed golden eagle during a traditional hunting contest near the village of Tole Bi in Almaty region, Kazakhstan on November 9, 2024. (Photo by Pavel Mikheyev/Reuters)

A woman attends a demonstration on the occasion of International Day for the Elimination of Violence against Women, in Milan, Italy, Saturday, November 25, 2023. Thousands of people are expected to take the streets in Rome and other major Italian cities as part of what organizers call a “revolution” under way in Italians' approach to violence against women, a few days after the horrifying killing of a college student allegedly by her resentful ex-boyfriend sparked an outcry over the country's “patriarchal” culture. (Photo by Luca Bruno/AP Photo)

This aerial photograph shows a stork with two chicks on a nest installed on a high voltage line mast in Bouee, western France, on June 3, 2025. (Photo by Loïc Venance/AFP Photo)

Pedestrians walk past an art installation by French street artist James Colomina called the “The Briefcase” (bottom) at Shibuya Crossing in the Shibuya district of central Tokyo on May 20, 2025. The display shows a red briefcase – a symbol of work and conformity – with arms, legs and a tie poking out on the ground to illustrate a “salaryman” who has lost his identity, swallowed by his daily routine. (Photo by Richard A. Brooks/AFP Photo)

Alex Neal-Bullen during an Adelaide Crows match against Port Adelaide Power at Adelaide Oval in Adelaide, Australia on July 26, 2025. (Photo by Matt Turner/AAP)

Here Goes River captures Japanese photographer Aya Fujioka’s home town of Hiroshima in 2017. The award-winning series documents the quiet, everyday spaces of the city – mundane, almost incidental scenes that are suffused with the invisible weight of the past. (Photo by Aya Fujioka)