A person watches Mount Etna, Europe's most active volcano, light up the night sky with eruptions, as seen from Piazzale Funivia dell'Etna, Italy on December 1, 2023. (Photo by Etna Walk/Giuseppe Distefano/Handout via Reuters)

A Germany fan looks dejected after the FIFA World Cup Qatar 2022 Group E match between Costa Rica and Germany at Al Bayt Stadium on December 1, 2022 in Al Khor, Qatar. (Photo by Wolfgang Rattay/Reuters)

A spectator reacts after a Brazil Volleyball win during Paris 2024 Olympics in Women's Preliminary Round, Pool B Brazil vs Poland at South Paris Arena 1 in Paris, France on August 04, 2024. (Photo by Siphiwe Sibeko/Reuters)

Harry Potter fan Emil Valkov, 7, from Bulgaria, who travelled to Britain with his family to attend the event for his older sister's birthday, poses for a photo at “Platform 9 3/4” during Back to Hogwarts Day at Kings Cross Station in London, Britain on September 1, 2023. (Photo by Hollie Adams/Reuters)

NASA astronauts Stan Love and Loral O’Hara test Axiom Space’s lunar spacesuits underwater on October 1, 2025. The AxEMU suit is designed for the Artemis III mission to the moon’s south pole, due to lift off no earlier than mid-2027. (Photo by NBL/NASA via South West News Service)

A model wearing a creation by Designer Michelle Adepoju, founder of Kilentar, poses for a photograph ahead of a private installation to launch the SS26 collection during Lagos Fashion Week in Lagos, on November 1, 2025. (Photo by Olympia de Maismont/AFP Photo)

People dressed in Hanfu robes take a boat parade during the Xitang Hanfu Culture Week in the ancient town of Xitang on November 1, 2025 in Jiaixng, Zhejiang Province of China. (Photo by Wang Gang/China News Service/VCG via Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)