Yuna Hiraiwa of Team Japan falls from the uneven bars during Women's Podium Training ahead of the Tokyo 2020 Olympic Games at Ariake Gymnastics Centre on July 22, 2021 in Tokyo, Japan. (Photo by Athit Perawongmetha/Reuters)

Australia's Rhiannon Clarke reacts in the rain after the women's T38 400-meters final at Tokyo 2020 Paralympic Games, Saturday, September 4, 2021, in Tokyo, Japan. (Photo by Emilio Morenatti/AP Photo)

Tara Davis-Woodhall of Team United States competes during the Women's Long Jump Final on day two of the World Athletics Championships Tokyo 2025 at National Stadium on September 14, 2025 in Tokyo, Japan. (Photo by Matthias Hangst/Getty Images)

Tsukimi Ayano steps out of her house in the village of Nagoro on Shikoku Island in southern Japan February 24, 2015. Tsukimi Ayano made her first scarecrow 13 years ago to frighten off birds pecking at seeds in her garden. The life-sized straw doll resembled her father, so she made more. Today, the tiny village of Nagoro in southern Japan is teeming with Ayano's hand-sewn creations, frozen in time for a tableau that captures the motions of everyday life. (Photo by Thomas Peter/Reuters)

A Zombie Santa is pictured Death Yard Haunted Attraction in Hendersonville, Tennessee December 10, 2014. The Nashville-area haunted house is getting into the Christmas spirit this weekend, with Zombie Santa, his undead elves and a demonic reindeer going on the attack for fun and charity. (Photo by Harrison McClary/Reuters)

From the rocks of Arnhem Land to the backyards of the Sydney suburbs, from stretching by the pool to waiting for evening prayer, snapshots for the 2015 Australian Life prize demonstrated a nation in colour and motion. Here: Children Cooling Off at Dhiari Homeland. Local children get wet and cool in Arnhem Land. (Photo by Matthew Abbott/Australian Life Prize 2015)

“Animals take on human characteristics in this photo series by Davide Luciano. Davide’s goal was to achieve personification of these animals’ body parts without the use of motion. Using photography’s ability to manipulate time, Davide presents a snippet of these creature “active” lives by photographing a process, thus creating the illusion of life in these lifeless animal limbs. Recreating the uncomfortable into quizzical and whimsical photos that are bold, colorful, and always comical and satirical”. (Photos and caption by Davide Luciano)