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Nicolas Silberfaden: Superheroes

Due to the current economic, social and cultural crisis in The United States of America today, I have decided to do a photographic project consisting of a series of studio portraits of superhero and celebrity impersonators that live and work in the city of Los Angeles. Most of them unemployed Americans, they decided to suit up with their costumes and hit the streets, animate parties and events in efforts to make ends meet. Making them pose in their costumes against a colorful backdrop, I ask them to manifest feelings of genuine sadness – honest emotions that are a consequence of our current times. The result is a somber, striking visual image that contradicts the iconic nature of strength and moral righteousness typical in American superhero and celebrity imagery. Creating the illusion that Superman does exist – that he too was fallible and affected by America’s downturn.

Nicolas Silberfaden
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06 Dec 2012 12:13:00
A Tara BONETHROWER pumpkin created by the Maniac Pumpkin Carvers at Cotton Candy Machine in Brooklyn, N.Y. on October 18, 2014. (Photo by Siemond Chan/Yahoo Finance)


In time for Halloween the Maniac Pumpkin Carvers, creative art studio, held the Cotton Candy Machine workshop in Brooklyn, N.Y., demonstrating techniques and tools to create intricate pumpkin art. Maniac Pumpkin Carvers, which focuses on elevating the art of pumpkin carving, were a past winner of the Food Network's Halloween Wars. Their work has been displayed at MOMA, the Whitney Museum and Yankee Stadium. Here: A Tara Bonethrower pumpkin created by the Maniac Pumpkin Carvers at Cotton Candy Machine in Brooklyn, N.Y. on October 18, 2014. (Photo by Siemond Chan/Yahoo Finance)
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22 Oct 2014 14:08:00
Roxy, Bono and Blue in costumes inspired by Tim Burton's films in Sonoma County, California, 2014. As Halloween draws closer even pugs are dressing up in costumes. But these outfits are unlikely to give anyone nightmares and are more cute than creepy. (Photo by Phillip Lauer/Barcroft Media)

Roxy, Bono and Blue in costumes inspired by Tim Burton's films in Sonoma County, California, 2014. As Halloween draws closer even pugs are dressing up in costumes. But these outfits are unlikely to give anyone nightmares and are more cute than creepy. Philip Lauer, from California, has dressed his three pets Bono, Blue and Roxy, in adorable costumes – with witch hats and black capes. His home in Sonoma County, California, has its own studio to take professional pictures of the posing pups. Every year he and wife wife Sue dress their pets in creepy costumes and send pictures of them to their friends and family as a spooky treat. (Photo by Phillip Lauer/Barcroft Media)
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02 Nov 2014 11:46:00
These black-and-white photos are taken from the new book “Armoured Warfare in the First World War 1916 – 1918” by Anthony Tucker-Jones and published by Pen & Sword Military. “Interestingly the British, French and Germans took completely different approaches with varying results”. The British military produced “Little Willie” in Autumn 1915 weighing 18 tonnes, which had a crew of two plus four gunners. “Inspired by a tracked artillery tractor “Little Willie” was referred to as a water tank – hence the name tank – to ensure secrecy”, said Anthony. “This led to the strange looking Mark I with its peculiar rhomboid shape, designed to cross trenches with guns in sponsons on either side. The Germans saw the tank as unchivalrous and were slow to grasp its utility. They favoured the Stormtrooper (specialist soldiers used to infiltrate enemy trenches) and artillery, not the tank”, said Anthony. “However, they didn’t hesitate to make use of captured British tanks. Although the tank helped secure victory and German soldiers dubbed it “Germany’s Downfall” the country was ultimately brought to its knees by the Allies blockade”. Here: British troops hitch a ride on a Mark IV after the massed tank fleet spearheading attack at Cambrai on November 20, 1917. (Photo by Anthony Tucker-Jones/Mediadrumworld.com)

These black-and-white photos are taken from the new book “Armoured Warfare in the First World War 1916 – 1918” by Anthony Tucker-Jones and published by Pen & Sword Military. Here: British troops hitch a ride on a Mark IV after the massed tank fleet spearheading attack at Cambrai on November 20, 1917. (Photo by Anthony Tucker-Jones/Mediadrumworld.com)
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23 Feb 2017 00:02:00
An activist of the anti-G8 forum 'Block G8' shows his middle finger to a police helicopter passing overhead

An activist of the anti-G8 forum “Block G8” shows his middle finger to a police helicopter passing overhead June 07, 2007 at Bollhagen, near Heiligendamm, Germany. (Photo by Carsten Koall/Getty Images)
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27 Dec 2011 15:40:00
A veiled chameleon extends its tongue to catch a cricket

“Scott Linstead is an internationally published, freelance wildlife photographer/writer. His clients include Natural History Magazine, Hewlett Packard, Ranger Rick Magazine and a number of wildlife publications in North America and Europe. Scott's column on the techniques of bird photography appears in every issue of Outdoor Photography Canada”.

Photo: A veiled chameleon extends its tongue to catch a cricket. Canadian wildlife photographer Scott Linstead, formerly an aerospace engineer and high school teacher, uses a device called Phototrap “to not only photograph the elusive, but also the unimaginably quick”. (Photo by Scott Linstead)
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22 May 2012 11:32:00
Artist Jason deCaires Taylor’s Museo Atlantico, off Lanzarote, is peopled with concrete casts of refugees and people taking selfies. Drowned world: welcome to Europe’s first undersea sculpture museum. Here: The Raft of Lampedusa, Taylor’s modern-day concrete echo of Géricault’s The Raft of the Medusa. The work has particular significance given the huge movement of refugees across the sea to Europe – and the frequent fatalities that result. (Photo by Jason deCaires Taylor)

Artist Jason deCaires Taylor’s Museo Atlantico, off Lanzarote, is peopled with concrete casts of refugees and people taking selfies. Drowned world: welcome to Europe’s first undersea sculpture museum. Here: The Raft of Lampedusa, Taylor’s modern-day concrete echo of Géricault’s The Raft of the Medusa. The work has particular significance given the huge movement of refugees across the sea to Europe – and the frequent fatalities that result. (Photo by Jason deCaires Taylor)
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03 Feb 2016 13:11:00
People visit an installation by the American sculptor, Carole Feuerman, during the exhibition of her hyperrealistic sculptures at Pier 17 in the trendy neighbourhood of Seaport in New York City on June 1, 2024. (Photo by Milo Hess/ZUMA Press Wire/Rex Features/Shutterstock)

People visit an installation by the American sculptor, Carole Feuerman, during the exhibition of her hyperrealistic sculptures at Pier 17 in the trendy neighbourhood of Seaport in New York City on June 1, 2024. (Photo by Milo Hess/ZUMA Press Wire/Rex Features/Shutterstock)
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15 Jun 2024 03:35:00