Steam emerges from a cooling tower of the nuclear power plant Leibstadt near Leibstadt, Switzerland, November 18, 2014. (Photo by Arnd Wiegmann/Reuters)

Mohammed Al-Shinbari, 24, balances objects using what he calls a mix of mind and body, in his family house in Beit Hanun town in the northern Gaza Strip, 30 November 2019. Al-Shinbari says he can put almost any object in balance. (Photo by Mohammed Saber/EPA/EFE)

Ecuador's Ronald Zabala G., riding, Forever Young Wundermaske, fall off their horse during the Equestrian Cross Country competition at Chateau de Versailles for the 2024 Summer Olympics, Sunday, July 28, 2024, in Versailles, France. (Photo by Mosa'ab Elshamy/AP Photo)

HRP-4C, a five-foot humanoid robot developed at Japan's National Institute of Advanced Industrial Science and Technology, sings and dances with performers at the Digital Contents Expo in Tokyo on October 17, 2010. The robot runs entertainment software called Choreonoid, a name formed from the words “choreograph” and “humanoid”. (Yoshikazu Tsuno/AFP)

Michael O’Neill won a prize in animal portraits with fry of a peacock bass hovering around their mother for protection against predators in South Florida. (Photo by Michael Patrick O'Neill/2016 National Geographic Nature Photographer of the Year)

Battle-weary American troops withdraw from Yong San in Korea. (Photo by Keystone/Getty Images). 1950

Gina Labianca (L) tries on a super woman outfit as Charlie Lucas tries a snow white Costume at the Halloween MegaStore Miami Beach on October 21, 2011 in Miami Beach, Florida. The megastore is a temporary location for the store which opened for the holiday to sell costumes, masks and other items to people needing to dress up for the evening of October 31 when costumed people around the world observe the day. (Photo by Joe Raedle/Getty Images)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)