Archer Sheetal Devi from India prepares to fire during the Paralympic Games in Paris on Thursday, August 29, 2024. (Photo by Felix Scheyer/AP Photo)

In this January 4, 2016 photo, the weapon of a rebel fighter for the 36th Front of the Revolutionary Armed Forces of Colombia, or FARC, hangs from a branch serving as a makeshift clothesline, near a rebel camp, in Antioquia state, in the northwest Andes of Colombia. “We’ll lay aside our weapons, like the accord says, but never hand them over”, says Juan Pablo, a commander of the 36th Front. (Photo by Rodrigo Abd/AP Photo)

Women walk past a pile of rubbish bags on a street during a strike by garbage collectors demanding delayed salaries in Sanaa, Yemen May 8, 2017. (Photo by Khaled Abdullah/Reuters)

A captive elephant is made to swim for visitors at Khao Kheow Open Zoo in Chonburi province, Thailand on September 15, 2024. (Photo by Lillian Suwanrumpha/AFP Photo)

Filipino boys play basketball at an improvised court hooked on multi-layered tombs at a public cemetery in Navotas, north of Manila, Philippines on Thursday Oct. 31, 2013. Filipinos are expected to flock to cemeteries on November 1 to remember their dead as they observe All Saints Day in this predominantly Roman Catholic country. (Photo by Aaron Favila/AP Photo)

Audrey Lu and Misha Mitrofanov of the United States compete in the Pairs Short Program during day 1 of the ISU Grand Prix of Figure Skating Rostelecom Cup at Megasport Arena on November 15, 2019 in Moscow, Russia. (Photo by Maxim Shemetov/Reuters)

Man prepares wigs as he waits for customers in downtown Johannesburg, on August 5, 2014. Some estimates put Africa's dry hair industry at as much as $6 billion a year; Nigerian singer Muma Gee recently boasted that she spends 500,000 naira ($3,100) on a single hair piece made of 11 sets of human hair. (Photo by Siphiwe Sibeko/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)