Memory Suitcases is a thought-provoking series by Israeli artist Yuval Yairi that uses old, worn suitcases as canvases for nostalgic landscapes. Like scenes out of one's memory, the propped up traveling cases feature a range of sepia-toned settings. The series presents the objects as though they are relics of a civilization from yesteryear, each with their own story to tell.
There's something both heartbreaking and sentimental about the images. It appears to tell a number of stories of leaving one lifestyle for another. The suitcases hold within them a picture show of memories from a life-altering journey. Like a number of his other works, Memory Suitcases "mimics the natural process of memory."

Unwanted phones recreated as interactive birds, part of “Escape III” by Anthony Goh and Neil Mendoza seen on display at the Barbican's Digital Revolution exhibition on July 2, 2014 in London, England. The exhibition brings together artists, designers, film makers, musicians and architects who push the boundaries of creativity that digitial technology can offer, and runs from July 3 until September 14, 2014. (Photo by Matthew Lloyd/Getty Images for Barbican Art Gallery)

In this February 1, 2017 photo, environmental activist Maruja Inquilla poses for a photo next to a Municipal waste treatment plant with water that flows into Lake Titicaca, in Juliaca, in the Puno region of Peru. “If the frogs could talk they would say, This is killing me”," said Inquilla, who recently showed up at the Puno governor's house carrying plastic bags filled with hundreds of dead frogs in protest. (Photo by Rodrigo Abd/AP Photo)

Jerome Flynn, who played Bronn on “Game of Thrones“, posed in a cage on London's Oxford Street on November 26, 2019 alongside the campaign group Farms Not Factories to raise awareness that most supermarkets and high street food chains are still sourcing their pork almost entirely from factory farms. Says Jerome "Factory Farming is one of the most horrific examples of how far we have strayed from our hearts in the relentless drive for profit and so called progress”. (Photo by Jeff Moore/Splash News and Pictures)

A girl peers from between light decorations at a Christmas fair which opened ahead of the holiday season in Bucharest, Romania, Friday, November 25, 2022. Municipal authorities in the Romanian capital, quoted by local media, stated that holiday season city light decoration levels will remain at last year's level and use energy saving solutions. (Photo by Vadim Ghirda/AP Photo)

“Eyes Wide Open is an exhibit created by the American Friends Service Committee observing the American soldiers and marines that have died in the Iraq War. It contains a pair of combat boots to represent every American soldier and marine that has died in the war, as well as shoes representing Iraqi civilians who have lost their lives during the invasion and occupation”. – Wikipedia

Photo: A man pauses as he looks at rows of combat boots that are part of the "Eyes Wide Open" exhibit in front of San Francisco City Hall on March 19, 2012 in San Francisco, California. The Eyes Wide Open exhibition includes a pair of boots for every one of the 481 California servicemen and women who died in the Iraq war. (Photo by Justin Sullivan/Getty Images)

Ricardo Azevedo rides his Honda NX 200 motorbike, which he converted to be powered by water, in Salto, northwest of Sao Paulo, Brazil, August 6, 2015. The Sao Paulo civil servant built the motorbike, which can cover up to 500 kilometres (311 miles) fuelled by just one litre of water. Dubbed “Moto Power H2O” the bike is powered by the process of electrolysis, which breaks the water molecule down into its constituent elements. (Photo by Nacho Doce/Reuters)

Projectionist Antonio Feliciano, 75, checks his projector before showing a film in Monforte, Portugal May 16, 2015. Shades of Oscar-winning classic "Cinema Paradiso" run through the life of Feliciano, a sprightly 75-year-old who fears he may be the last of Portugal's travelling film projectionists.After six decades travelling four million km (2.5 million miles) to screen 4,000 films in Portugal's far-flung villages, Feliciano does not plan to retire just yet. But he is resigned to the fact that the Internet, digital TV and distribution monopolies have made his craft obsolete. (Photo by Rafael Marchante/Reuters)