Street vendors hold campaign posters for presidential candidate Patrice Talon ahead of the second round of Benin's presidential election on Sunday in Cotonou, Benin, March 18, 2016. (Photo by Charles Placide Tossou/Reuters)

A bonnet macaque sits on consecrated idols of snakes during the Nag Panchami festival inside a temple on the outskirts of Bengaluru, India, August 19, 2015. (Photo by Abhishek N. Chinnappa/Reuters)

A woman jumps over a puddle as she crosses a street after a torrential downpour in the South Beach part of Miami, July 18, 2014. (Photo by Carlo Allegri/Reuters)

A woman sits as she gets a tattoo on her leg during the annual Panama City Ink Fest in Panama City August 16, 2015. (Photo by Carlos Jasso/Reuters)

A stone giant exhausted after his long travels decided to rest a while and drink from a pond far below. He lay down and started drinking from the crystal clear pond. So delicious was the water that he was unable to quench his thirst no matter how much he tried. Weeks have passed, months, years. The body of the stone giant became one with the hills and even his tongue has turned to water. This might seem like a fairy tale, yet you’ll be able to see this stone giant if you ever come to Wattens, Austria. He’s still there, guarding the entrance to Swarovski Kristallwelted, otherwise known as the Crystal Worlds. This is a one-of-a-kind theme park that was created by the people who first created Swarovski crystals.

In this photo made late Saturday, August 9, 2014, in Keelung, Taiwan, a traditional Chinese dance troupe performs during a parade marking the beginning of the Chinese folklore's mid-summer's Ghost Month Festival. Fourteen days into the seventh month of the lunar calendar, August 9, in 2014, marks the traditional Chinese Ghost Month where the gates of the underworld are opened and spirits of the deceased are set free to roam the world of the living. The month long festivities are aimed to please the roaming spirits. (Photo by Chiang Ying-ying/AP Photo)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)