Miguel Toribio, 11, puts a pistol belonging to his father into his belt, before demonstrating newly learnt skills from military-style weapons training, to a Reuters journalist in Ayahualtempa, Mexico, February 3, 2020. (Photo by Alexandre Meneghini/Reuters)

Internally displaced Syrian children stand at the entrance of their makeshift shelter that is an underground cave in Om al-Seer, southern Idlib countryside, Syria December 26, 2015. (Photo by Khalil Ashawi/Reuters)

This photo taken on March 10, 2025 shows the former disaster prevention office building in Minamisanriku Town, Miyagi Prefecture, lit up on the eve of the 14th anniversary of the 2011 earthquake and tsunami disaster. (Photo by JIJI Press/AFP Photo)

A man carrying an axe walks past a house marked with bullet holes in Gyallesu district after recent clashes between Shi'ites and the army in Zaria, Kaduna state, Nigeria, February 3, 2016. Sectarian tensions are rising in Nigeria's Muslim north, where hundreds of Shi'ites were killed in clashes with the army in the town of Zaria in December, according to Shi'ites and rights groups. Following the clashes, bulldozers sent by the state levelled Shi'ite shrines, a cemetery and offices in the deeply divided town. The region is already grappling with an insurgency waged by the jihadist Boko Haram group. (Photo by Afolabi Sotunde/Reuters)

An Afghan boy covers himself with a plastic sheet as he rides on a donkey after rains in Argo district of Badakhshan province on March 20, 2023. (Photo by Omer Abrar/AFP Photo)

A Palestinian holding a weapon takes cover between buildings amid clashes with Israeli troops during an Israeli raid in Nablus in the Israeli-occupied West Bank on June 13, 2023. (Photo by Raneen Sawafta/Reuters)

Children play in artificial snow as they visit NightGarden, an annual holiday experience featuring thousands of lights and special effects, at Fairchild Tropical Botanic Garden, Friday, November 15, 2024, in Coral Gables, Fla. (Photo by Rebecca Blackwell/AP Photo)

British artist Nick Veasey used an X-ray machine to show us exactly what's going on under people's clothes. The equipment took copies of items separately before they were mashed together to create characters and situations. The work is part of Veasey's latest exhibition named “X-ray Voyeurism”. In order to create the work, the 51-year-old has spent the last 20 years exposing himself to harmful radiation in his studio. Photo: “Stripper”: Has tucked her cash away safely. (Photo by Nick Veasey/Barcroft Media)