«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)

Underwater photographer Sarah Lee uses a technique known as “duck diving” to capture these stunning photos of surfers in Hawaii. Surfers “duck dive” under the water to avoid incoming waves so they can get further out to sea. Photo: A surfer comes free from her surfboard. (Photo by Sarah Lee/Caters News)

The world's biggest copy of the Mona Lisa is unveiled on October 28, 2009 in Wrexham, Wales The giant version of Leonardo da Vinci's masterpiece measures 17.5 metres across and is 50 times bigger than the original painting and was created by community groups in Wrexham and artist Katy Webster. (Photo by Christopher Furlong/Getty Images)

A performer dances during Salgueiro performance at the Rio de Janeiro Carnival at Sambodromo on February 26, 2017 in Rio de Janeiro, Brazil. (Photo by Raphael Dias/Getty Images)

A woman, covered in coloured powder, takes part in the 2019 Colour Run, a 5 km run around the Luzhniki Olympic Complex, in Moscow, Russia on June 02, 2019. (Photo by Sefa Karacan/Anadolu Agency/Getty Images)

The annual Antarctic photography exhibition, which is part of Hobart’s Antarctica festival is back on with its chilly, majestic imagery. The winner this year is Sydney’s Sam Edmonds with his striking photo of a gentoo penguin in the snow. Here: Casey Station 2017. (Photo by Chris J. Wilson/The Guardian)

Prada Marfa is a permanently installed sculpture by artists Elmgreen and Dragset, situated 1.4 miles (2.3 km) northwest of Valentine, Texas, just off U.S. Highway 90 (US 90), and about 26 miles (42 km) northwest of the city of Marfa. The installation was inaugurated on October 1, 2005. The artists called the work a "pop architectural land art project."