A wounded protester is seen after security forces intervene in protesters during a protest against military coup and detention of elected government members in Mandalay, Myanmar on March 27, 2021. (Photo by Stringer/Anadolu Agency via Getty Images)

A man with blood on his shirt is evacuated from Brussels Airport in Zaventem, Belgium, on Tuesday, March 22, 2016. (Photo by Dirk Waem/Belga/Zuma Press/TNS)

A masked Kashmiri protester shouts freedom slogan near burning tires set up as road blockade by protesters in Srinagar, Indian controlled Kashmir, Tuesday, July 19, 2016. The largest street protests in recent years in the disputed region, that left dozens of people dead and hundreds injured erupted more than a week ago after Indian troops killed a popular young rebel leader. (Photo by Dar Yasin/AP Photo)

Ahead of May Day, AFP' s video and photo teams spoke to men and women around the globe whose jobs are becoming increasingly rare, particularly as technology transforms societies. Here: Mohammad Ashgar, 65, an Indian rickshaw puller, poses for a photograph next to his rickshaw in Kolkata on April 21, 2018. (Photo by Dibyangshu Sarkar/AFP Photo)

A Pakistani Hindu bride attends a mass marriage ceremony in Karachi, Pakistan, 07 January 2024. The Pakistan Hindu Council organized the mass wedding ceremony for 122 Hindu couples belonging to poorer classes. (Photo by Shahzaib Akber/EPA/EFE)

A jockey rides a water buffalo during the annual Chonburi Buffalo Race in Chonburi on October 1, 2020. (Photo by Mladen Antonov/AFP Photo)

Antonio Banderas attends the photocall for “Pain And Glory (Dolor Y Gloria/Douleur Et Glorie)” during the 72nd annual Cannes Film Festival on May 18, 2019 in Cannes, France. (Photo by Pascal Le Segretain/Getty Images)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)