A collection of whimsical cats in fantastical hats, created by Carol Cavalaris.

Two Toyotas have been turned into cute Pokemons – Pikachu and Oshawott by toy maker Tamara Tomy. Unfortunately they will never leave the exhibition because nobody would give them a road license.

Sushi chef Mitsuru Tamura uses a radiation detector on seafood before it is prepared in Manhattan's Sushi Yasuda restaurant April 8, 2011 in New York City. The restaurant has begun using the detector as a precautionary measure due to consumer concerns over possible radiation contamination in seafood from the nuclear emergency in Japan. Health officials believe contamination is unlikely to threaten the food supply chain and none has been found in this restaurant. (Photo by Mario Tama/Getty Images)

Israeli magician Hezi Dean stands atop of a tower where he intends to remain for 35 hours, at Rabin square on May 18, 2011 in Tel Aviv, Israel. Dean started his most recent stunt Wednesday in an attempt to break the record of American illusionist and endurance artist David Blaine. Dean was raised on the 27-meters high tower Wednesday morning and aims to remain there with no food until Thursday evening, for a total of 35-hours. (Photo by Uriel Sinai/Getty images)

Captured by South African photographer Dillon Marsh, these fantastic photographs depict the many designs employed by sociable weavers to build sturdy nests that are safe from intruders such as cobras and tree snakes. They are also nice cool during the day, and stay warm during cold desert nights. A University of Stellenbosch graduate, Marsh is currently interested in landscape photographer who seeks out anomalies that can be arranged in a photographic series. Assimilation depicts scores of intricate weaver’s nests atop utility poles in Southern Africa. Colonies of sociable weavers have been known to stay attached to one particular nest for up to 100 years, according to The San Diego Zoo.

This pretty cool series of images by Mladen Penev, a talented graphic designer from Bulgaria.

Artist Christopher Lovell counts himself lucky to have been a child of the 80s. The toys, cartoons and movies of the era left him spellbound, fueling his imagination. He finds this inspiration allows him to express himself very naturally through his art. Having developed a deep interest in fantasy and sci-fi, he spent his childhood and teen years immersed in every aspect of creativity he could access.