Artist Elizabeth Thompson poses next to her Blu-tack Spider sculpture at London Zoo on October 25, 2007 in London, England. The sculpture, known as “Blu-ey”, is a model of a common house spider and is completely made out of blu-tack. It is on show at BUGS! at ZSL London Zoo. The sculpture is made from around four thousand packets of Blu-tack and weighs over 200kg. (Photo by Chris Jackson/Getty Images)

Bill Wyatt, owner of the Y Que Trading Post in the Los Feliz neighborhood of Los Angeles, wears a Donald Trump face mask in his shop during the novel coronavirus COVID-19 pandemic on April 23, 2020. Wyatt has transformed his topical tee shirt business to a topical face mask business now called Y Que Mask and PPE Trading Post, since the start of the coronavirus crisis. According to Wyatt, the mask featuring Dr. Anthony Fauci is a best seller, as are masks with characters from the Netflix hit “Tiger King” and also popular internet memes. (Photo by Robyn Beck/AFP Photo)

An arm holding a giant gun appears to explode through a wall, while elsewhere a man walks a tiger on a leash. These breathtaking pencil drawings are the work of 31-year-old artist Ben Heine, who lives and works in Rochefort, Belgium. The “anamorphic illusions”, part of the artist's “Pencil Vs Camera” series, appear slightly distorted unless viewed from the exact same perspective in which they were created. Photo: Visual artist Ben Heine at work in his studio while he creates one of his “anamorphic illusions” in Rochefort, Belgium. (Photo by Ben Heine/Barcroft Media)

This is a photo shoot like youve never seen before a model in glamorous dresses surrounded by sharks. However, model and shark diver Liz Parkinson decided to take the plunge and get up close and personal with some of the most revered creatures of the deep. She was joined at the depths of the ocean by Australian photographer Jeremy Farris, who travelled around the world to capture this quite stunning collection. In some pictures, Liz is seen hitching a ride on the fins of the placid whale shark whilst in others she is being examined by the vicious tiger shark. Here: Liz swimming with Hammerheads in the Bahamas, Bimini. (Photo by Jeremy Farris/Caters News)

A Thai devotee in a state of trance screams while holy water is sprayed as thousands race towards the edifice of the founder monk during the annual Tattoo fesitval at Wat Bang Phra on March 7, 2009 in Nakhom Pathom, Thailand. Some men take on the characteristics of sacred animals that have been carved onto their skin. Thousands of believers from all over Thailand come to take part in one of the country's most bizarre festivals about 50 miles outside Bangkok to pay respect to the temple's monks who are master tattooist. In Thai culture the tattoo or Thai word sak yant is worn as a symbol of spiritual and physical protection, many believe that the tattoo have mystical powers. Many tattoo fanatics choose to have monkeys and tigers as well as the Khmer/Cambodia ancient script on their bodies. (Photo Paula Bronstein/Getty Images)

These brave models show no fear as they pose with bears, tigers and wolves in scenes straight from the pages of a fairy tale. The snaps show the models cuddling up to the deadly animals and even taking naps with the often unpredictable creatures. Here: “Marina with a bear”. Stepan, a 700-pound grizzly bear, was adopted by a Russian couple when he was just 3 months old. (Photo by Olga Barantseva/Caters News Agency)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.