Ring-tailed lemurs sit on the hood of a truck while snacking inside the Buin Zoo in Santiago, Chile, Tuesday, June 15, 2021. The largest private zoo in Chile, experiencing a serious economic situation due to the closure of its doors as a result of the prolonged quarantine measures, has started a campaign coined, “Sponsor an Animal”, to raise money to maintain the animals. (Photo by Esteban Felix/AP Photo)

A woman and a girl in a school uniform run past a barricade of burning tires during a demonstration against high prices and fuel shortages, in Port-au-Prince, Haiti on October 21, 2021. (Photo by Ralph Tedy Erol/Reuters)

A view of St Thomas Becket church during the morning frost, in Fairfield, Kent, England, Thursday, January 6, 2022, following freezing overnight temperatures. (Photo by Gareth Fuller/PA Wire via AP Photo)

In this photograph taken on April 28, 2018, Afghan children work at a coal yard on the outskirts of Jalalabad, Afghanistan. (Photo by Noorullah Shirzada/AFP Photo)

Sustainable development goal target 12.5 is to reduce waste. But with a planet increasingly dependent on technology, is that even possible? As of today, over 30m tonnes of electronic waste has been thrown out so far this year, according to the World Counts. Most e-waste is sent to landfills in Asia and Africa where it is recycled by hand, exposing the people who do it to environmental hazards. Kai Loeffelbein’s photographs of e-waste recycling in Guiyu, southern China show what happens to discarded computers. (Photo by Kai Loeffelbein/laif Agentur)

College students shout slogans during a pep rally organised to boost their morale ahead of their job hunting in Tokyo, Japan March 1, 2017. (Photo by Kim Kyung-Hoon/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

As an American in 1990s Cuba, Tria Giovan risked being branded a traitor. But the photographer continued to visit and, from the dance hall to the hair salon, she captured the resilient spirit of the Cuban people. The 120 images in Tria Giovan’s “The Cuba Archive” are from the period in the 90s when, as an American, travel to Cuba could have seen her branded a traitor, as the country was subject to a US trade embargo. Her trip required lots of planning – and patience. (Photo by Tria Giovan/The Guardian)