Egrets stand on a field as an Egyptian farmer plants rice seedling in Egypt's fertile Delta in Tanta, Algharbeya governorate, 100 km from Cairo, Egypt, 22 June 2022. Egyptian Government reduced the planting of some crops that need a massive amount of irrigation water, while the government said it will reduce the rice agriculture area in Egypt, amid fear the Renaissance Dam project in Ethiopia could affect the amount of River Nile water reaching Egypt. (Photo by Khaled Elfiqi/EPA/EFE)

Aina the mother sheep, a 4.5-metre musical sculpture installed in the first decade of July 2023 outside Huddersfield railway station in England as part of Artichoke’s latest project, Herd. She is one of 23 giant handcrafted musical sheep that will appear all over Kirklees this week before joining Aina for a grand finale in Huddersfield on 16 July. (Photo by Christopher Thomond/The Guardian)

Cheetah Darcy enjoys her newly-developed Cheetah Territory that covers 10,000 square at Yorkshire Wildlife Park, near Doncaster, UK on Wednesday, August 16, 2023. Darcy, who is four-years-old, travelled from Ireland's Fota Wildlife Park to YWP last week where she will be joined by 13-year-old male Brooke who is on his way from the Bristol Zoo Project as a recommendation by the European Endangered Species Programme. (Photo by Danny Lawson/PA Images via Getty Images)

A political billboard by the artist Karen Fiorito satirising Donald Trump and Elon Musk in Phoenix, US on March 12, 2025. The artwork, titled Twitler and Putin’s Puppet Do Washington, depicts Musk as a puppet master controlling Trump. The artwork on the other side, Liar in Chief, references Project 2025, a conservative proposal to overhaul the federal government. (Photo by Eduardo Barraza/ZUMA Press Wire/Rex Features/Shutterstock)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)

“Ben Heine (born 12 June 1983 Abidjan, Ivory coast) is a Belgian multidisciplinary artist. Starting as a painter and political cartoonist, he became more widely known in 2011 for his “Pencil vs Camera” and “Digital Circlism” projects”. – Wikipedia (Photo by Ben Heine; Source: Flickr)

This project is a phenomenological social interaction experiment that focuses on the relationship of giving and receiving by literally transforming a human into a camera. Touchy, (the person wearing the device) is blind most of the time until you touch his/her skin. Once vision is given to Touchy, he/she can take photos for you. This human camera, with its unique properties, aims at healing social anxiety by creating joyful interactions.