A landscape photographer turned the camera on himself to take a set of incredible selfie while visiting some of the world's most beautiful destinations. Paul Zizka, 39, from Alberta, Canada, has been a photographer for nine years, and thought that featuring in his own pictures would emphasize the nature surrounding him and create a more unique shot. Here: Lake Minnewanka, Banff National Park, Alberta, Canada. (Photo by Paul Zizka/Caters News Agency)

19 individually themed and hand crafted art suites have been newly designed by creatives from across the world – from a swedish artist who made a giant snow elephant in the room, to a french team who fused snow, ice and disco into a groovy sleeping experience. Each year, the hotel creates a new series of artist-designed accommodation spaces that add to the existing landscape of private rooms. (Photo by Icehotel.com/Exclusivepix Media)

A Dartmoor Hill pony foal runs on the moor on Dartmoor on May 17, 2011 in Princetown England. Although a tourist attraction, especially during the foaling season and often seen as part of the landscape of Dartmoor, many ponies face an uncertain future due to unsustainable breeding and their falling market values. The charity South West Equine Protection estimates that last year 1500 ponies were slaughtered – with many being sold for lion meat to nearby zoos. Along with other equine charities, they are calling for the removal of stallions from the moor to bring numbers down to sustainable levels. (Photo by Matt Cardy/Getty Images)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)

REUTLINGEN, GERMANY - NOVEMBER 17: Students hang out finished parchment leather at the LGR (Lederinstitut Gerberschule Reutlingen) tannery school on November 17, 2010 in Reutlingen, Germany. Even in early antiquity and up their hair or dried goat and sheep skins were used as material for documents. In the small Asian city Pergamon these skins were processed in large quantities for this purpose, so they formed the main trading arm of the city, of which the name is parchment is derived. In medieval times, reached the parchment is of great importance, it was such as France's production under the supervision of the University of Paris. Even now, important documents, placed on their unlimited shelf life as possible large value (eg diplomas, addresses, memory, writings, documents for primary and keystones) written on parchment...

An aerial view of a livestock enclosure of the Himba people, in October, 2014, in the Namib Desert, Namibia. A photographer has captured a bird's eye view of the stunning Namib Desert from a paraglider. Theo Allofs travels the world taking stunning pictures of untouched landscapes from a unique perspective. Soaring 300 metres above ground, Theo shot the yellow sand dunes, dry red river beds and remote townships in Namibia. (Photo by Theo Allofs/Barcroft Media)

The UK VELUX Lovers of Light competition attracted 15,000 entries from amateur, professional and mobile phone photographers. Entrants were asked to create a landscape image which celebrates and captures daylight. The judges have whittled these down to a shortlist of ten finalists. The winner will be announced at the end of march with the snapper of the best shot winning a trip to Norway – which will be made during the summer period when the country experiences 24 hour daylight. Photo: “Carousel in the mist”; Prokoshko, Bosnia. (Photo by Marko Stamatovic/PA Wire)

The photography duo of Floto+Warner created the series, “Colorant”, from an idea that stemmed out of a previous series and the fascination of landscapes, with results that leave one in awe. Creating shapes, not experienced in nature, they tossed colored water in the air to capture “a momentary graffiti of air and space”. Using a high shutter speed to capture these fleeting moments, Floto/Warner has produced a multi-medium series with jaw-dropping results. Photo: “Orange Salt Flats”. (Photo by Floto/Warner)