A family member of the Toraja ethnic group prepares the bodies of exhumed relatives from a community burial site to be cleaned and dressed in a series of traditional ceremonies honouring the dead known as Manene at Torea village, in North Toraja, Indonesia's South Sulawesi on August 17, 2022. (Photo by Andri Saputra/AFP Photo)

A participant with a face painted as popular Mexican figure “Catrina” attends the Day of the Dead event at a National house for Mexican fans in central Moscow, a host city for the 2018 FIFA World Cup, Russia June 29, 2018. (Photo by Sergei Karpukhin/Reuters)

The knitted sculpture “William Tell” by Patricia Waller sits in the “Broken Heroes” exhibition at the Deschler Gallery on April 26, 2012 in Berlin, Germany. The exhibition of hand-crocheted comic, puppet and cartoon figures shows icons of pop culture in various unfortunate states. (Photo by Adam Berry)

French sculptor Pierre Matter was born in 1964. “A mystical child, then a tormented teenager, he studied mathematics half-heartedly. It was only logical that he headed naturally, though initially in an erratic manner, for the mysterious universe of artistic creation. His slow progression in this field led him to try out many kinds of expression and material, from oil to gouache to ink, from comic strips to canvas, and also bas-relief in stone.”

Syrians try to rescue a dead body under the debris of a collapsed building after Syrian and Russian army carried out an airstrike on opposition controlled residential area at Merce neighborhood of Aleppo, Syria on September 23, 2016. (Photo by Jawad al Rifai/Anadolu Agency/Getty Images)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)

Alessandra Ambrosio arrives for the screening of “The Dead Don't Die” and the Opening Ceremony of the 72nd annual Cannes Film Festival in Cannes, France, 14 May 2019. Presented in competition, the movie opens the festival which runs from 14 to 25 May. (Photo by Ian Langsdon/EPA/EFE)