A man rides a golden motorbike on a street in Bangkok, Thailand on August 14, 2020. (Photo by Jorge Silva/Reuters)

Women walk in heavy rain as Typhoon Haishen hits Kagoshima, Kagoshima prefecture on September 6, 2020. Typhoon Haishen began to lash southern Japan on September 6, with officials warning it could bring record rainfall and winds strong enough to snap power line poles and flip cars. (Photo by Charly Triballeau/AFP Photo)

Government officials in protective suits carry a mock coffin as they walk around a busy intersection during a coronavirus awareness campaign to remind people of the risk of contracting COVID-19 and to always obey health protocols to curb the spread of the outbreak in Jakarta, Indonesia, Friday, August 28, 2020. (Photo by Dita Alangkara/AP Photo)

A man photographs “Mount Recyclemore”, an artwork depicting the G7 leaders looking towards Carbis Bay, made from electronic waste by Joe Rush and Alex Wreckage, ahead of the G7 summit, at Hayle Towans in Cornwall, Britain, June 8, 2021. (Photo by Tom Nicholson/Reuters)

People visit a cemetery during the celebrations of the Guede, the traditional festival of the dead and one of the main festivities of voodoo, in Port-au-Prince, Haiti, 01 November 2020. (Photo by Jean Marc Herve Abelard/EPA/EFE)

Participants of the “Still Standing for Culture” action of the cultural sector rally in Les Marolles neighborhood of Brussels, Belgium, 13 March 2021. Workers of the cultural sector along with second-hand dealers of the Jeu de Balle place gathered in Les Marolles to denounce the lack of financial support and call for solutions to the impact of the coronavirus crisis on culture professionals and the sector as a whole one year after the Covid-19 pandemic lockdowns started. (Photo by Stephanie Lecocq/EPA/EFE)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)

Cave Diver, Anhumas Abyss, Bonito, Brazil: The Anhumas Abyss is an underground cavern with a crystal-clear lake below, more than 260 feet (79 m) deep. A visitor must enter through a narrow opening at the top of the chamber and rappel into the cave. Snorkeling and scuba diving in the lake reveal amazing scenery. Distinctive, conical limestone stalagmites and stalactites occupy the lake and the surrounding area, some reaching 65 feet (20 m) high. (Photo by Marcio Cabral/Nature’s Best Photography Awards 2017)