Female labourers wearing helmets take a break from laying underground electricity cables in Ahmedabad, India, March 7, 2016. (Photo by Amit Dave/Reuters)

A woman dressing the traditional clothes of a “cholita”, skates during a skate festival on September 30, 2020 in La Paz, Bolivia. According to the Johns Hopkins University Resource Center, Bolivia has over 130,000 confirmed cases of Covid-19 and more than 7,500 deceases. (Photo by Gaston Brito/Getty Images)

Model Amber Rose attends the Maxim Hot 100 Party at the Hollywood Palladium on July 30, 2016 in Los Angeles, California. (Photo by Alberto E. Rodriguez/Getty Images)

A woman cries while sitting on a road amid the destroyed city of Natori, Miyagi Prefecture in northern Japan March 13, 2011, after a massive earthquake and tsunami. Five years on from the tsunami that triggered meltdowns at Japan's Fukushima nuclear plant, the page is anything but turned. A magnitude 9 earthquake and towering tsunami on March 11, 2011 killed nearly 16,000 people along Japan's northeastern coast and left more than 2,500 missing. The 10-metre (33-foot) tsunami swept away everything in its path, including houses, ships, cars and farm buildings. (Photo by Asahi Shimbun/Reuters)

A polar bear whose bottom half is caked in oily black gunk. A whale wrapped in striped fabric: a pseudo straightjacket. These are the messes climate change leaves behind, the things we know are happening but often don’t have the opportunity to see with our own eyes. Swiss street art duo Christian Rebecchi and Pablo Togni, otherwise known as NeverCrew, met in art school when they were 15 and started making work together soon after. As a team, the artists adorn the world with eye-popping and gut-wrenching images depicting the consequences of humanity’s actions on earth. (Photo by NeverCrew/The Huffington Post)

Bathing suit models are shown listening to the radio on the beach, circa 1940's. (Photo by Bettmann Archive/Getty Images)

A woman spends her time outdoors to observe the ancient festival of Sizdeh Bedar, an annual public picnic day on the 13th day of the Iranian new year, at the Tochal mountainous area northern Tehran, Iran, Sunday, April, 2, 2017. Sizdeh Bedar, which comes from the Farsi words for “thirteen” and “day out”, is a legacy from Iran's pre-Islamic past that hard-liners in the Islamic Republic never managed to erase from calendars. (Photo by Ebrahim Noroozi/AP Photo)

A general view of atmosphere at the annual VOLT Festival in Sopron, 208 kms west of Budapest, Hungary on August 16, 2016. (Photo by Mudra László/Rockstar Photographers)