Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.
Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)
These Filipino icons of ingenuity were originally re-crafted from abandoned US army jeeps after the second world war, and helped to establish a new system of urban transportation. Jeepneys are being phased to help ease city congestion, but the move will also cause unemployment for experienced drivers – and higher fares for commuters. (Photo by Claudio Sieber/Barcroft Media)
The Jinshanling Great Wall is seen after a rainfall on March 31, 2022 in Chengde, Hebei Province of China. (Photo by Zhou Wanping/VCG via Getty Images)
Indian Muslim devotees travel in an auto rickshaw during the Urs festival in Ajmer, India, Thursday, April 23, 2015. Thousands of devotees from different parts of India travel to the shrine of Sufi saint Khwaja Moinuddin Chisht for the annual festival marking the saint's death anniversary. (Photo by Deepak Sharma/AP Photo)