Saira Liaqat, 22, a victim of acid violence who was burned 4 years ago, poses in Islamabad, June 11, 2007. Saira is from Lahore and was attacked with acid thrown on her over an argument relating to an arranged marriage. (Photo by Paula Bronstein/Getty Images)

Sabera Bayanne, 20, a student of the Shaolin Wushu club, practices in Kabul, Afghanistan January 29, 2017. On a snowy mountaintop to the west of Kabul, a group of Afghan girls practise the flowing movements of Wushu, a sport developed from ancient Chinese kung fu martial arts, stretching and bending and slashing the air with bright swords. (Photo by Mohammad Ismail/Reuters)

Underwater photographer of the year – winner. Dancing Octopus by Gabriel Barathieu (France). Location: Island of Mayotte, off the coast of south-east Africa. “Balletic and malevolent”, one judge said of this octopus, hunting in a lagoon. Barathieu waited until spring tides when there was just 30cm of water on the flats and plenty of light in the shallows. (Photo by Gabriel Barathieu/UPY2017)

A shooting star (L, top) is seen on the night sky during the perseid meteor shower in Jankowo, near Poznan, 11 August 2016. The first half of August is traditionally the best time to look out for meteors called “shooting stars”, or perseids which are the leftover dust particles of a comet tail associated with comet Swift-Tuttle. (Photo by Lukasz Ogrodowczyk/EPA)

American singer-songwriter Chlöe Bailey in the second decade of July 2023 enjoys her first Carnival in a barely there costume. (Photo by chloebailey/Instagram)

Natalie Burgener drops the bar behind her head while attempting to snatch 98 kilograms during the 2012 U.S. Olympic Team Trials for Women's Weightlifting on March 4, 2012 in Columbus, Ohio. (Photo by Jamie Sabau/Getty Images)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)