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Runner-up. “The City of London, looking towards the Royal Exchange and the Bank of England. The ever-changing London skyline provides many excellent opportunities for cityscape photography, none more exciting than the ebb and flow of traffic at night”. MICK RYAN, JUDGE: “Sophisticated new camera sensors, sharp lenses and the ability to take hundreds of shots in a session and check your work have made night photography much easier than it ever used to be. The results, like this scene, can be spectacular”. (Photo by Mark Caldon/The Guardian)

Runner-up. “The City of London, looking towards the Royal Exchange and the Bank of England. The ever-changing London skyline provides many excellent opportunities for cityscape photography, none more exciting than the ebb and flow of traffic at night”. (Photo by Mark Caldon/The Guardian)
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10 Dec 2018 00:03:00
“Eye of the Tower” by Mehmet Yasa; Verona, Italy. “The staircase and the bell looks like an eye. Architecture can fascinate us in many ways”. (Photo by Mehmet Yasa/Art of Building Photography Awards 2017)

“Eye of the Tower” by Mehmet Yasa; Verona, Italy. “The staircase and the bell looks like an eye. Architecture can fascinate us in many ways”. (Photo by Mehmet Yasa/Art of Building Photography Awards 2017)
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12 Dec 2017 06:41:00
Man your battle stations: The crew chief of helicopter Yankee Papa 13, lance corporal James C. Farley, mans an M-60 machine gun during a mission near Da Nang, Vietnam on March 31, 1965. (Photo by Larry Burrows/Time & Life Pictures)

In the spring of 1965, within weeks of 3,500 American Marines arriving in Vietnam, a 39-year-old Briton named Larry Burrows began work on a feature for LIFE magazine, chronicling the day-to-day experience of U.S. troops on the ground – and in the air – in the midst of the rapidly widening war. The photographs in this gallery focus on a calamitous March 31, 1965, helicopter mission; Burrows’ “report from Da Nang”, featuring his pictures and his personal account of the harrowing operation, was published two weeks later as a now-famous cover story in the April 16, 1965, issue of LIFE.

Photo: Man your battle stations: The crew chief of helicopter Yankee Papa 13, lance corporal James C. Farley, mans an M-60 machine gun during a mission near Da Nang, Vietnam on March 31, 1965. (Photo by Larry Burrows/Time & Life Pictures)
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07 Apr 2013 07:08:00
In this June 20, 2014, file photo, lobsters are processed at the Sea Hag Seafood plant in St. George, Maine. More and more American and Canadian-caught lobsters have been turning up at fancy restaurants in China, marketed as “Boston lobster”, say Maine-based processors. One processing firm owner says it's now the biggest live lobster important day of the year after Christmas in Europe. (Photo by Robert F. Bukaty/AP Photo)

In this June 20, 2014, file photo, lobsters are processed at the Sea Hag Seafood plant in St. George, Maine. More and more American and Canadian-caught lobsters have been turning up at fancy restaurants in China, marketed as “Boston lobster”, say Maine-based processors. One processing firm owner says it's now the biggest live lobster important day of the year after Christmas in Europe. (Photo by Robert F. Bukaty/AP Photo)
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18 Feb 2015 13:11:00
A women rides a motor bike on a street covered with volcanic ash from an eruption of Mount Kelud, in Solo, Indonesia, Friday, February 14, 2014. A major volcanic eruption in Indonesia blasted clouds of ash and debris 18 kilometers (12 miles) into the air on Friday, forcing authorities to close six airports, cancel flights elsewhere in Southeast Asia and evacuate more than 100,000 people from the mountain. (Photo by Hafidz Novalsyah/AP Photo)

A women rides a motor bike on a street covered with volcanic ash from an eruption of Mount Kelud, in Solo, Indonesia, Friday, February 14, 2014. A major volcanic eruption in Indonesia blasted clouds of ash and debris 18 kilometers (12 miles) into the air on Friday, forcing authorities to close six airports, cancel flights elsewhere in Southeast Asia and evacuate more than 100,000 people from the mountain. (Photo by Hafidz Novalsyah/AP Photo)
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15 Feb 2014 07:38:00
The rhino was finally located on Sunday in a field where it had taken shelter. Forest officials guarded the female one horned rhinoceros until it could be tranquilized and transported back to the Pobitora Wildlife Sanctuary. (Photo by Anupam Nath/Associated Press)

After eight tense days, a female one horned rhinoceros was found and rescued from an area in India that has recently seen four other rhinos killed by poachers.

Photo: The rhino was finally located on Sunday in a field where it had taken shelter. Forest officials guarded the female one horned rhinoceros until it could be tranquilized and transported back to the Pobitora Wildlife Sanctuary. (Photo by Anupam Nath/Associated Press)
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11 Oct 2012 09:46:00
Inflatable dolls in the shape of ducks are seen in front of the National Congress during a protest against tax increases in Brasilia, Brazil, March 29, 2016. The campaign “I will not pay the Duck” is organized by the Federation of Industries of Sao Paulo (FIESP) and uses the duck symbol in reference to industries that pay high taxes. (Photo by Gregg Newton/Reuters)

Inflatable dolls in the shape of ducks are seen in front of the National Congress during a protest against tax increases in Brasilia, Brazil, March 29, 2016. The campaign “I will not pay the Duck” is organized by the Federation of Industries of Sao Paulo (FIESP) and uses the duck symbol in reference to industries that pay high taxes. (Photo by Gregg Newton/Reuters)
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30 Mar 2016 11:27:00
Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)
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07 Mar 2017 00:04:00