The Soyuz TMA-17M spacecraft carrying the International Space Station (ISS) crew blasts off from the launch pad at the Baikonur cosmodrome, Kazakhstan, July 23, 2015. The Russian rocket carries Russian cosmonaut Oleg Kononenko, U.S. astronaut Kjell Lindgen and Japan astronaut Kimiya Yui. (Photo by Shamil Zhumatov/Reuters)

Soldiers of the French Air and Space Force who took part in the Skyros Operation get ready prior to the annual Bastille Day military parade on the Champs-Elysees avenue in Paris on July 14, 2021. (Photo by Ludovic Marin/AFP Photo)

A Palestinian man plays with a horse at the beach of the Mediterranean Sea in Gaza City in the northern Gaza Strip, Friday October 1, 2021. The beach is one of the few open public spaces in this densely populated city. (Photo by Hatem Moussa/AP Photo)

Tercio Galdino, 66, and his wife Aliceia, 65, wear their protective “space suits” as they walk on the sidewalk of Copacabana Beach amid the coronavirus outbreak in Rio de Janeiro, Brazil, July 11, 2020. (Photo by Ricardo Moraes/Reuters)

Play-fighting cheetah siblings at the Zimanga game reserve in South Africa in the second decade of November 2024 were spotted by Gavin Bickerton-Jones, an amateur photographer, who said: “It is a bit scary at first being so close, but also a privilege for them to let you share their space”. (Photo by Gavin Bickerton-Jones/Solent News)

Vogue Italia is hosting a series of shows in Milan exploring how the magazine seeks to engage with hot social and political issues and provoke debate through images by top photographers. The Photo Vogue festival in Milan is hosting three exhibitions. The first, Fashion and Politics in Vogue Italia, looks at the magazine’s ambition to be a catalyst for change – in subtle and playful ways. Here: David LaChapelle – October 2004. (Photo by David LaChapelle/The Guardian)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

Beneath the Swedish capital lies an intricate web of underground train lines. More than 90 of the 100 stations in the 110km tunnel system, sometimes referred to as “the world’s longest art gallery”, have been decorated with paintings, installations, mosaics and sculptures by 150 artists since the 1950s. After spending a couple of weeks exploring arctic Norway and Sweden, London-based travel photographer Conor MacNeill headed underground to capture images of the metro stations. Here: A rainbow arcs over a girl on the platform of Stadion station. (Photo by Conor MacNeill/The Observer)