“Photoswapped: Mum and dads switch heads with their children in freakiest photos you'll ever see. It is a position that many young children would love to be in. And now these strange and sometimes unnerving images show what it would actually be like if babies swapped roles, and heads, with their mother or father. The photos, created by top advertising photographer Paul Ripke, are so eye-catching that they have swept across the world online”. (Photo by Paul Ripke/Barcroft Media via Fame Pictures)

These brave models show no fear as they pose with bears, tigers and wolves in scenes straight from the pages of a fairy tale. The snaps show the models cuddling up to the deadly animals and even taking naps with the often unpredictable creatures. Here: “Marina with a bear”. Stepan, a 700-pound grizzly bear, was adopted by a Russian couple when he was just 3 months old. (Photo by Olga Barantseva/Caters News Agency)

This is a photo shoot like youve never seen before a model in glamorous dresses surrounded by sharks. However, model and shark diver Liz Parkinson decided to take the plunge and get up close and personal with some of the most revered creatures of the deep. She was joined at the depths of the ocean by Australian photographer Jeremy Farris, who travelled around the world to capture this quite stunning collection. In some pictures, Liz is seen hitching a ride on the fins of the placid whale shark whilst in others she is being examined by the vicious tiger shark. Here: Liz swimming with Hammerheads in the Bahamas, Bimini. (Photo by Jeremy Farris/Caters News)

An arm holding a giant gun appears to explode through a wall, while elsewhere a man walks a tiger on a leash. These breathtaking pencil drawings are the work of 31-year-old artist Ben Heine, who lives and works in Rochefort, Belgium. The “anamorphic illusions”, part of the artist's “Pencil Vs Camera” series, appear slightly distorted unless viewed from the exact same perspective in which they were created. Photo: Visual artist Ben Heine at work in his studio while he creates one of his “anamorphic illusions” in Rochefort, Belgium. (Photo by Ben Heine/Barcroft Media)

A man holds a pigeon during the British Homing World show of the year at Blackpool's Winter Gardens in Blackpool, north west England on January 17, 2016. Homing pigeon fanciers from across Europe gathered to find the Supreme Show Champion with judges casting their eyes over hundreds of birds on show. The Royal Pigeon Racing Association organises the event and has Queen Elizabeth II, who keeps pigeons at Sandringham, as its patron. (Photo by Andrew Yates/Reuters)

The works of Hu Shaoming immediately catch the eye of the onlookers with their level on intricacy and uniqueness. To provide a glimpse into the intricate workings of vintage cameras he uses a very unique method. He made it seem as if the fine leather covering of the camera was opened by zipper, showing its innards. A similar technique was used on an ancient telephone, though there it looks more like an embellishment. The idea was so marvelously put into life that it seems as if those items can actually be zipped up, though of course that is not possible.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.