There is something frightening and at the same time appealing in the living sculptures of 27-year-old British artist Emma Fay. Body art in conjunction with the flexibility of acrobats and fantasy of the artist using water-based paints, a brush and sponge, is transformed into a beautiful work of art. It is not immediately possible to make out the human body in the picture. First you look at the landscape and suddenly begin to distinguish someone’s arm, or neck. Or you look into the eyes of an amazing bull, and it turns out that it is perfectly folded back. Lovely people, temples are and wonderful people-insects are.

Postcards for Ants is an ongoing painting project by Cape Town artist Lorraine Loots who has been creating a miniature painting every single day since January 1, 2013. The artist works with paint brushes, pencils, and bare eyes to render superbly detailed paintings scarcely larger than a small coin. After the first year, Loots relaunched the project in a second phase inspired by Cape Town’s designation as World Design Capital 2014.

What do you imagine when you look through a key hole? Do you imagine seeing a Wonderland with a sinister Queen of Heart ruling over a magical kingdom? Or you might imagine an eye staring back at you, if you’re a fan of horror movies. Least of all do you expect seeing a picturesque view of St. Peter’s Dome, perfectly framed by green hedges. Is it a lucky coincidence, or was it intended by the maker? We might never know. However, this became a curious sightseeing spot for many tourists who visit Rome. Thus, if you’re ever in the area of Priorato dei Cavalieri di Malta, be sure to peep into this key hole.

A woman participates in an insect-eating competition at a scenic spot in Lijiang, Yunnan province, China June 25, 2017. Insects have been a part of Yunnan cuisine for centuries, long before their potential as sustainable sources of protein caught the eye of the Western world. Bee larvae, grasshoppers and cicadas are just some items found on menus in the region. (Photo by Reuters/Stringer)

These snaps were captured by a pro phone camera photographer. You can see the intricate detail in each shot, from the shining eyes of the insects to the tiny water droplets that splash down on them. Here: Komangs macro photography of insects using his Samsung Galaxy J7 and homemade camera lens in Bali, Indonesia. (Photo by Komang Wirnata/Caters News Agency)

The works of Hu Shaoming immediately catch the eye of the onlookers with their level on intricacy and uniqueness. To provide a glimpse into the intricate workings of vintage cameras he uses a very unique method. He made it seem as if the fine leather covering of the camera was opened by zipper, showing its innards. A similar technique was used on an ancient telephone, though there it looks more like an embellishment. The idea was so marvelously put into life that it seems as if those items can actually be zipped up, though of course that is not possible.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.