Model Georgia Salpa attends the UK Premiere of “A Good Day To Die Hard” at Empire Leicester Square on February 7, 2013 in London, England. (Photo by UK Press)
Fashion enthusiast Sophie Cochevelou poses for a portrait during London Fashion Week in London, Britain, September 15, 2018. (Photo by Hannah McKay/Reuters)
Photographed leaping, bounding, but most notably gurning with dopey pleasure, this two-year-old boxer's hilarious enthusiasm to catch his slippery chew toy is remarkably captured in his larger-than-life face.
The ‘Stop the Violence’ advertising campaign by Brazilian agency Terremoto Propaganda aims to reduce the risk of accidents on the road. The visually grabbing print campaign shows a vehicle painted on the face of one person and the fist of another, drawing the comparison between what is widely known to be intentional violence, such as punching someone in the face, with what many incorrectly consider unintentional, like speeding or unsafe lane changes. Let us know what you think about this campaign in the comments below.
Body surfers ride a large wave at the Wedge in Newport Beach of the Southland coast on May 20, 2011 in Newport, California. Surfers have been lured to the south facing beaches for the biggest swells of the season. (Photo by Kevork Djansezian/Getty Images)
Officers from the municipal authorities of Huaian city perform red songs at the Huaian Great Hall of the People on June 13, 2011 in Huaian, Jiangsu Province of China. This year's celebrations will mark the 90th anniversary of the founding of the Communist Party of China. (Photo by ChinaFotoPress/Getty Images)
With the Wat Samphran Temple, what you see is what you get: while a smattering of awed visitors across the web have expressed admiration for this impressive work of architecture, details such as when it was built, who designed it, or why this 17-story tower is in the clutches of a massive, beautiful dragon are nowhere to be found.
The above portrait is part of London-based photographer Roman Sakovich's project, “Half”, which highlights the drastic physical effects of substance abuse. Sakovich has created split images that simultaneously portray an individual prior to and post addiction, leaving the viewer with a stark visualization of the damaging effects of drug use on our bodies.