Eduardo Salles (Mexico City, 1987) is advertiser, designer, illustrator, writer and professor at the Miami Ad School. And a professional procrastinator!, he says. Ex Creative Director of Nike, Kit Kat and Red Cross Mexico. He has won awards as diverse as Cannes Lions (advertising), Walter Reuters prize (journalism) and Juan Rulfo Short Story Award (literature).

Lucy the Elephant is a six-story elephant-shaped example of novelty architecture, constructed of wood and tin sheeting in 1881 by James V. Lafferty in Margate City, Atlantic County, New Jersey, United States, two miles (3.2 km) south of Atlantic City, in an effort to sell real estate and attract tourists.

A baby hippopotamus lies next to its mother on the first day it was presented to the public at the Zoo Berlin zoo on November 1, 2011 in Berlin, Germany. The baby hippo was born at the zoo on October 23. (Photo by Sean Gallup/Getty Images)

Participants wearing superhero costumes attend the World DC Comics Super Heroes event in San Martin de Valdeiglesias, near Madrid, April 18, 2015. To celebrate the anniversary of the publication of the very first Superman story, DC Comics are asking fans to help set a new world record for the largest global gathering of people dressed as DC Comics Super Heroes. (Photo by Andrea Comas/Reuters)

A mahout watches the Thai animation movie Kan Kluay with his elephant in Ayuthaya province, about 80km (49 miles) north of Bangkok June 5, 2006. The movie tells the story of a young Thai wild elephant who, while looking for his father, becomes the war elephant of the Thai King fighting against Burma and restored Thailand's ancient Ayuthaya empire that existed about 400 years ago. (Photo by Sukree Sukplang/Reuters)

Photographer Emily Dryden and sculptor/actor Zahydé Pietri combine theatricality and organic produce to compose the photographs for their series Fresh Faces. The portraits are made from a wide range of fruit and vegetables and aim to highlight humanity’s diversity – Pietri is from Puerto Rico and Dryden is from New York. Each face has its own name and identity: “We have stories for them, which you can see in the expressions”, says Dryden, “but we decided to keep them to ourselves. We didn’t want to spoil that”. (Photo by Emily Dryden and Zahydé Pietri/The Guardian)