Brazilian singer Larissa de Macedo Machado, better known by her stage name Anitta performs at the Coachella Music & Arts Festival at the Empire Polo Club on Friday, April 22, 2022, in Indio, Calif. (Photo by Amy Harris/Invision/AP Photo)

Locals light firecrackers on the occasion of Diwali, the Hindu festival of lights, in Chennai, India on November 12, 2023. (Photo by Idrees Mohammed/EPA/EFE)

Members of an electoral commission destroy unused ballots, after polling stations closed on the final day of the presidential election in Saint Petersburg, Russia on March 17, 2024. (Photo by Anton Vaganov/Reuters)

Fans gather to watch a FIFA World Cup Russia 2018 football match between Brazil and Costa Rica on a giant screen at Alzirao neighborhood in Rio de Janeiro, Brazil on June 22, 2018. (Photo by Carl De Souza/AFP Photo)

2016 Rio Olympics, Rhythmic Gymnastics, Final, Individual All-Around Final, Rotation 1, Rio Olympic Arena, Rio de Janeiro, Brazil on August 20, 2016. Melitina Staniouta (BLR) of Belarus competes using the hoop. (Photo by Ruben Sprich/Reuters)

Puppet corgis created by Coventry based events production company Imagineer sit patiently on May 5, 2022 as the company prepares its contribution to The Queen's Platinum Jubilee Pageant next month. The corgis are part of the company's show “The Queen's Favourites”. (Photo by Peter Lopeman/Alamy Live News)

Andrea Petkovic of Germany in action against Sara Errani of Italy during day one of the Mutua Madrid Open tennis tournament at the Caja Magica on May 3, 2014 in Madrid, Spain. (Photo by Julian Finney/Getty Images)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)