Iraqi Kurdish women work at a hand-weaving Kurdish traditional carpet shop, in the district of Raniya, about 70 kilometres (43 miles) east of Arbil, the capital of Iraq's northern autonomous Kurdish region, on February 11, 2025. (Photo by Safin Hamid/AFP Photo)

An employee works on the automobile assembly line of a Citroen C3 car at the PSA Peugeot Citroen plant in Poissy, near Paris, France, April 29, 2015. PSA Peugeot Citroen said on Wednesday its revenue rose in the first quarter as the recovering French carmaker's efforts to raise prices helped offset weaker volumes. (Photo by Benoit Tessier/Reuters)

Model Inna Magomedova uses her mobile phone while she presents “The Alive Painting” body art work by Russian artist Maria Gasanova during the Art Krasnoyarsk annual festival in Siberian city of Krasnoyarsk, Russia, October 26, 2016. (Photo by Ilya Naymushin/Reuters)

In this file photo taken on Saturday May 1, 1993, an elderly communist woman clutches her head as police on horseback patrol the streets in Moscow. When Alexander Zemlianichenko started working as an AP photographer in Moscow, the Soviet Union was nearing its demise. (Photo by Alexander Zemlianichenko/AP Photo)

Blacksmith Johann Schmidberger works on a suit of armour for the Vatican's Swiss Guards at his workshop in Molln, Austria, March 29, 2017. Austrian blacksmiths who produce ceremonial suits of armour for the Vatican's Swiss Guards are close to the end of their current deal to do so, and say supplying the suits will not now be an issue for many years to come. One of the drawbacks of the Swiss Guards' medieval uniforms is that the craftsmanship needed to make them is disappearing. (Photo by Leonhard Foeger/Reuters)

Two working girls entertaining themselves in the absence of customers at the Moonlite Bunny Ranch, a legal brothel owned by Dennis Hof, in Lyon County, one of the fews counties in the USA which permits legalized prostitution. (Photo by Stephan Gladieu/Getty Images)

Photographer Joana Choumali’s latest project explores body image and beauty by documenting the men building Abidjan’s clothing models. The “Awoulaba” mannequin is a customised model designed with the African ideal of beauty in mind, curvier than the stick-thin examples usually seen in the west. They first appeared in 2011, and have since become a familiar sight outside the numerous clothing shops dotted throughout Ivory Coast’s capital, Abidjan. Here: An apprentice lines up his work on a roadside. (Photo by Joana Choumali)