A boy tumbles as he plays soccer on the streets of the Khayelitsha township in Cape Town, December 3, 2009. (Photo by Kai Pfaffenbach/Reuters)

A vendor sells beef at a market in Hanoi, Vietnam 01 October 2024. Vietnam's official manufacturing Purchasing Managers' Index (PMI) declined to 47.3 points in September, down from 52.4 points in the previous month, according to the latest survey from S&P Global. (Photo by Luong Thai Linh/EPA)

Punjab police's “Shakti Teams” a squad formed for women safety waits before an official flag off ceremony in Amritsar on September 14, 2021. (Photo by Narinder Nanu/AFP Photo)

A man carries a sack of corn through the Comayaguela market on the outskirts of Tegucigalpa, days after general eletions in Honduras, Tuesday, November 30, 2021. Free Party presidential candidate Xiomara Castro, the wife of ousted former president Manuel Zelaya, has taken a commanding lead in Honduras' elections, capping a 12-year effort. (Photo by Moises Castillo/AP Photo)

A girl jumps to touch cherry blossoms in full bloom in Fussa, outskirts Tokyo, Japan, 05 April 2014. Temperatures being very constant made blossoms to keep full bloom for holiday makers. (Photo by Kimimasa Mayama/EPA)

Workers look at exotic models and p*rn actresses standing on the top of a bus waving to people to promote the “Expo Sеx and Eroticism” adult exhibition in Mexico City, Mexico March 1, 2017. (Photo by Carlos Jasso/Reuters)

Men eat oranges from a push cart along a road as a vehicle travels past them in Karachi January 22, 2015. (Photo by Akhtar Soomro/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)