The Borobudur temple seen illuminated during Vesak Day, commonly known as “Buddha's birthday”, at the Borobudur Mahayana Buddhist monument on May 6, 2012 in Magelang, Indonesia. Buddhists in Indonesia celebrate Vesak at the Borobudur temple annually, which makes it the most visited tourist attraction in Indonesia. Vesak is observed during the full moon in May or June and the ceremony centers around three Buddhist temples, whereby pilgrims walk from Mendut to Pawon, ending at Borobudur. The stages of life of Buddhism's founder, Gautama Buddha, which are celebrated at Vesak are his birth, enlightenment to Nirvana, and his passing. (Photo by Ulet Ifansasti/Getty Images)

Rangoli, also known as kolam or Muggu, is a folk art from India in which patterns are created on the floor in living rooms or courtyards using materials such as colored rice, dry flour, colored sand or flower petals. It is usually made during Diwali, Onam, Pongal and other Indian festivals. They are meant to be sacred welcoming areas for the Hindu deities. The ancient symbols have been passed down through the ages, from each generation to the next, keeping both the art form and the tradition alive. Similar practices are followed in different Indian states: in Tamil Nadu, there is Kolam in Tamil Nadu; Mandana in Rajasthan; Chaookpurna in Chhattisgarh; Alpana in West Bengal; Aripana in Bihar; Chowk pujan in Uttar Pradesh; Muggu in Andhra Pradesh and others.

“The giant clam, Tridacna gigas (known as pā’ua in Cook Islands Māori), is the largest living bivalve mollusc. T. gigas is one of the most endangered clam species. It was mentioned as early as 1825 in scientific reports. One of a number of large clam species native to the shallow coral reefs of the South Pacific and Indian oceans, they can weigh more than 200 kilograms (440 lb) measure as much as 120 cm (47 in) across, and have an average lifespan in the wild of 100 years or more”. – Wikipedia

Photo: Tridacna Gigas, or Giant Clams spew water as a traditional fisherman passes by a small sanctuary on January 23, 2004 near Bolinao in the Northern Philippines. The clams, prime builders for coral reefs and providing shelter for spawning fish and other marine life, are exposed by low tides in the sanctuary. Overfishing and pollution throughout the country are not only threatening food security, but are also starting to choke one of the few working clam sanctuaries in the world. (Photo by David Greedy/Getty Images)

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)

Discovered in 1952 by French bio-speleologist Henri Coiffait, the waterfall and accompanying sinkhole were fully mapped in the 1980s by the Spéléo club du Liban. The cave is also known as the "Cave of the Three Bridges." Traveling from Laklouk to Tannourine one passes the village of Balaa, and the "Three Bridges Chasm" (in French "Gouffre des Trois Ponts") is a five-minute journey into the valley below where one sees three natural bridges, rising one above the other and overhanging a chasm descending into Mount Lebanon. During the spring melt, a 90–100-metre (300–330 ft) cascade falls behind the three bridges and then down into the 250-metre (820 ft) chasm. A 1988 fluorescent dye test demonstrated that the water emerged at the spring of Dalleh in Mgharet al-Ghaouaghir.

Pictures of deceased people are seen inside a chapel at a cemetery in the village of Smoljinac, Serbia, October 25, 2016. From a distance, the cemetery in the eastern Serbian village of Smoljinac looks like a residential neighbourhood eerily placed among graves. But once inside the grounds, after passing a section with the usual stone slabs, visitors find rows of small bungalows painted in pastel colours. They have one or two rooms, large windows and ornate plaques – some inside, some outside – memorialising the deceased. These are the burial chapels of Smoljinac, cosy cabins with a furnished room inside, a storage place for wreaths and funeral paraphernalia, and the family crypt below. Some even have electric power inside. (Photo by Marko Djurica/Reuters)

A stone giant exhausted after his long travels decided to rest a while and drink from a pond far below. He lay down and started drinking from the crystal clear pond. So delicious was the water that he was unable to quench his thirst no matter how much he tried. Weeks have passed, months, years. The body of the stone giant became one with the hills and even his tongue has turned to water. This might seem like a fairy tale, yet you’ll be able to see this stone giant if you ever come to Wattens, Austria. He’s still there, guarding the entrance to Swarovski Kristallwelted, otherwise known as the Crystal Worlds. This is a one-of-a-kind theme park that was created by the people who first created Swarovski crystals.

When you look at the pictures created by Stacey Baker, you immediately think that these photos must have been staged by the photographer to convey some deep meaning. In reality, however, Stacy created her new series called “CitiLegs”, which has about 300 pictures of female legs, by asking passing girls and women in Manhattan, New York if she could photograph their legs. And that is when the realization hits you – “Some people actually dress like that!” What kind of a person would wear neon-green shorts over orange leggings with leopard-patterned boots, the toes of which are completely torn? Yes, there is a possibility that such a person might be insane; however, there are just too many “crazy” photos in this series! (Photo by Stacey Baker)