I’m an illustrator based in South Wales, UK. I work in pen and ink, creating original illustrations for record cover artwork, shirt design and poster art.

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

“An artist has slammed junk food culture by creating shocking portraits of models covered in burgers, fries and even ketchup. Some of James Ostrer’s pictures resemble one of Willy Wonka’s nightmares as he uses liquorice for eyes and strawberry bootlaces for hair. In others, the 35-year-old smears his models’ faces with tears of ketchup and uses burgers, fries and sausages for facial features. James made the mouth-watering monstrosities to show the rampant consumption of junk food and how it affects our moods”. – Caters News

We all have our own ways of passing time on our daily commutes. Some people read, others try to sleep, and many listen to music or play on their phones. But one creative commuter has a simple and highly entertaining way that hopefully more people will embrace. By placing a face from a newspaper in front of a person at just the right angle, they transform other commuters into recognizable celebrities while keeping the unbeknownst participant obscured.

A dog jumps into water during the “World Dog Show” in Leipzig, Germany, November 10, 2017. Around 31,000 animals are expected at the international pedigree dog competition taking place from 8 to 12 November 2017. (Photo by Hannibal Hanschke/Reuters)

David Rawcliffe, house and monument steward at the National Trust's Chedworth Roman Villa cleans a Roman mosiac in the new environmentally-controlled conservation shelter on March 19, 2012 near Cirencester, England. Opened this month, the multi-million pound building allows visitors to walk on suspended walkways just above the 1600-year-old Roman floors and to see recently excavated mosaics not seen for 150 years, with more to be uncovered over the coming year. (Photo by Matt Cardy/Getty Images)