Zoee Heath of New South Wales competes in the womens U18 discus throw during day two of the Australian Junior Athletics Championships at Sydney Olympic Park Athletic Centre on March 11, 2011 in Sydney, Australia.

Costume actors to wait before the show at “Chian Tourism Day” Inauguration Ceremony in Ninghai Zhejiang Province on May 19, 2011 in Ninghai, China. Various activities in local famous historic sites are being held to mark the day “China Tourism Day” on May 19. (Photo by Lintao Zhang/Getty Images)

Christmas decoration selling during Depot Christmas Shopping on November 23, 2011 in Hamburg, Germany. (Photo by Christian Augustin/Getty Images)

The pictures are not of an American helicopter, but of a Russian MI-24 "Hind" assault helicopter. It was used extensively by the Soviets in Afghanistan but this paint-job does not appear to be for combat. We suspect it is for purposes of promotion or public performance. There are some pictures of it on display at an air show at Szentkirályszabadja, Hungary. Whether there are others like it, we don't know, the the only pictures of this paint scheme are all on the same helicopter designated number 117.

“In 1967, Zhang Yaxin was 34 and working as a photojournalist at China’s state-controlled Xinhua News Agency when he was assigned to a top-secret government project. He was to be the official photographer of a new arts program led by Chairman Mao and his wife – the Model Operas. Though he was not to know it then, Zhang would spend the next seven years documenting the evolution of one of the most dramatic and elaborate attempts to redefine artistic sensibilities in modern art history”. – Chengcheng Jiang via TIME. Photo: Raid on the White Tiger Regiment, 1971. (Photo by Zhang Yaxin/Courtesy See+ Gallery, Beijing)

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)