Nobumichi Asai has used projection mapping to put CGI onto cars, docks, building and more. What is his latest canvas? A real, live human face! Asai used Omote, a combination of real-time face tracking and projection mapping to transform a model's face into mesmerizing patterns. It's called “electronic makeup”, but as you will see in the (creepy-ish) video, it goes much, much beyond anything makeup can possibly do.

An injured woman is helped by emergency workers as she lies on the sidewalk in Times Square after a speeding vehicle struck pedestrians on the sidewalk in New York City, U.S., May 18, 2017. A car plowed into a crowd of pedestrians in New York' s bustling Times Square, leaving one person dead and at least 12 other injured in what officials said was an accident. (Photo by Mike Segar/Reuters)

Its your big day, youve spent months planning every last detail of your wedding and youre just about to capture the moment perfectly on camera whenyoure upstaged by a grinning donkey. At least thats what happened to these poor couples who were dramatically photobombed by a whole host of camera-hogging animals on their special day.The hilarious snaps show a series of irate brides being upstaged by everything from a cat to a camel and a dog to a donkey. Here: A donkey photobombs a bride on her wedding day. (Photo by Caters News Agency)

“David Stoker creates images that tell a story. Rich and atmospheric, his images stop a moment in time letting the viewer decide, or wonder, just what each character is doing. David's work has been recognized in the 2011 Communication Arts Photo Annual, Communication Arts Fresh online, Graphis 100 Best in Photography 2012, PDN’s Photo Annual (2009, 2011), Luezer's Archive, and the International Photography Awards (IPA's – 2009, 2010)”.

The photograph you see above isn’t the result of Photoshop or infrared photography. Captured by Spanish photographer Palíndromo Mészáros, it shows what the landscape of Ajka, Hungary looked like half a year after the Ajka alumina plant accident — an industrial disaster in which 35 million cubic feet of toxic waste flooded the land to a height of around 6.5 feet. Mészáros lined up the thick red line caused by the sludge with the horizon line to obtain this surreal image.