Two women react to the camera as Nightclub Circus hosts the first dance event, which will welcome 6,000 clubbers to the city's Bramley-Moore Dock warehouse on April 30, 2021 in Liverpool, England. The event is part of the national Events Research Programme which will provide data on how events could be permitted to safely reopen. (Photo by Anthony Devlin/Getty Images)

A staff of the Beijing 2022 Winter Olympic Games holds a placard reading “Mask on” as USA's players react after their defeat in the women's gold medal match of the Beijing 2022 Winter Olympic Games ice hockey competition between Canada and USA, at the Wukesong Sports Centre in Beijing on February 17, 2022. (Photo by Kirill Kudryavtsev/AFP Photo)

A woman reacts during the annual tomato fight fiesta called “Tomatina”, tomato fight fiesta, in the village of Bunol near Valencia, Spain, Wednesday, August 30, 2023. Thousands gather in this eastern Spanish town for the annual street tomato battle that leaves the streets and participants drenched in red pulp from 120,000 kilos of tomatoes. (Photo by Alberto Saiz/AP Photo)

A protester reacts at an anti-riot police officer after being teargased as he takes part in a demonstration against a controversial tax bill in the central business district in Nairobi, Kenya, 20 June 2024. Police have fired tear gas to disperse protesters who gathered near the parliament to demonstrate against planned tax hikes that many fear will worsen the cost-of-living crisis. (Photo by Daniel Irungu/EPA)

A man reacts inside the projection mapping and interactive installation known as “Illusion Road” at the multi-dimensional media art gallery Immersify KL in Kuala Lumpur, Malaysia, 04 March 2025. Immersify KL attracts visitors with interactive installations, high-definition visuals, and 3D spatial sound, creating breathtaking zones, including the country's first 360-degree, 12-meter-high projection space inside a 30,000-square-foot area with 11 sections of different immersive zones. (Photo by Fazry Ismail/EPA)

A man reacts as he holds the equipment used by Palestinian cameraman Hussam al-Masri, who was a contractor for Reuters, at the site where he was killed along with other journalists and people in Israeli strikes on Nasser hospital, in Khan Younis in the southern Gaza Strip, in this still image taken from a video shot by Reuters contractor Hatem Khaled, who was wounded shortly afterwards in another strike while he was filming the site on August 25, 2025. (Photo by Hatem Khaled/Reuters)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.